SATURN, CERN, AND THE CUBE OF ILLUSION
By Richard Evans
This article is a shorter but more streamlined version of the full article with the same name posted on Google blogger in 2017.
The theories that I’ll be proposing in this article are controversial and deal with CERN, Saturn, the Saturn Ship, and inter-dimensional portals. Concepts like the “Saturn Sun”, “Cosmic Mountain”, and the “Saturn cube” will probably seem bewildering to most people and so I would suggest reading and watching explanatory web-pages and videos where the job is already done (referenced in the article). This article suggests that CERN may be a recreation of the Tower of Babel. I have kept the writing intentionally short and to the point and it’s split up into sections. I’ll be referencing movies in this article because I think they contain more truth than people realize. But before getting into this, I’d like to declare my position on space. I don’t subscribe to the conventional view of space or planets according to agencies like NASA. To my mind, NASA is part of the paraphernalia that the elites are using for the production of stage-managed ‘space exploration’.
THE SATURN MYTH
In his groundbreaking book ‘The Saturn Myth’ (inspired by the work of Immanuel Velikovsky) researcher David Talbott analyzed myths from ancient cultures around the world and found that they all described the same phenomenon surrounding Saturn. He found that symbolism for Saturn is the same throughout ancient Mesopotamia, Egypt, India, Greece, and the Americas, and as documented by ancient cultures, explains how there was once a celestial alignment involving Saturn that occurred thousands of years ago. Based on ancient accounts throughout the world, Talbott describes a period of “great upheaval” in celestial bodies, when Saturn, Venus, and Mars descended and aligned overhead Earth, in a spectacular astronomical event dubbed the “Saturn Polar Configuration”. As Talbott says in ‘The Saturn Myth’: “[The Saturn Polar Configuration is] the idea based on comparative mythology, that the Earth was once in close proximity, or even a satellite of the planet Saturn”. During this celestial event, Mars descended from its position in the sky and formed a connection or stairway to Saturn which became known by the ancients as the heaven-sustaining giant Atlas, Mount Zion, and the Tower of Babel, inter alia. Various cultures around the world recorded this celestial stairway. For example, the Makirtare Indians of the Amazonian rainforest tell of a time where the hero Ahishama, identified with Mars, climbed a stairway to Heaven. Talbott calls it the “Cosmic Mountain”. There are various illustrations of how this alignment would have looked here.
During this time of celestial upheaval, Saturn and the other bodies that were aligned with it went through various configurations (see the documentary series ‘Discourses on an Alien Sky’) and at one point even formed what appeared to be a pupil in a triangle which Talbott associates with the All-Seeing-Eye. However, the configuration was mostly characterized by an 8-pointed star or 8-spoked wheel. Here is an image of Saturn holding an 8-spoked wheel (as shown in ‘Discourses on an Alien Sky’). The crescent under Saturn was morphed and anthropomorphized. The Saturn-crescent was morphed into wings — with the solar disc (Saturn) placed in the centre, such as with the Egyptian winged Kheper. Quote from ‘The Saturn Myth’: “Of the crescent in the primary images and ancient sources present these basic forms: The horns of the bull-god or the uplifted arms of the heaven-sustaining giant [such as Atlas]. The outstretched wings of the mother goddess (or winged god). But these same wings, or arms, constitute the great god’s sailing vessel [Saturn Ship] which in turn is depicted as two shining horns”. As Talbott points out in ‘The Saturn Myth’, the fundamental themes of Saturn imagery include the Saturn Ship, the uplifted arms of the heaven-sustaining giant, the All-Seeing-Eye, the two sacred pillars of Heaven, and the two shining horns, which were all based on the same celestial alignment in the sky. Throughout this article I’ll be using the terms “Saturn Polar Configuration”, “Saturn Sun”, “Saturn Ship”, “Saturn Stargate” and “Cosmic Mountain to Saturn” interchangeably, as they represent essentially the same celestial phenomenon.
Here is a film company logo from 1908 called ‘Saturn’ showing an 8-pointed star, with the word ‘Saturn’ surrounding it. The logo even has a circle inside the 8-pointed star, similar to the Saturn Polar Configuration.
THE BLACK SUN
It’s generally assumed that the Black Sun symbol is modern (only dating back to the early 20th-century) after a mosaic ot it was incorporated into the floor of Wewelsburg Castle in Nazi Germany in the 1930s (as shown below). But the Black Sun symbol is a very old one. The general assumption is that the Black Sun represents Saturn. Some names for Saturn in ancient astrology were the “Great Lord Dark Sun” and “Clothed in Black” and Saturn was referred to as the “Black Star” in old Judaic beliefs. Saturn was called “black” in the Babylonian cuneiform texts and Greco-Roman writings. As well as calling Saturn “black” the Babylonians referred to Saturn as the Sun (as the “son of Shamash”). Given this, Saturn would have been considered the “Black Sun” to the Babylonians.
The Swastika became a symbol for the Black Sun. The earliest Swastika was found in Ukraine and was dated back 12,000 years. In ‘Discourses on an Alien Sky#40’, Talbott associates the Swastika symbol with the Saturn Polar Configuration. When Saturn, Venus, and Mars aligned, they went through various configurations and during a phase of intense discharging of light streaming out from Venus, this planetary alignment took on a spinning Swastika fashion, which is a form that various cultures around the world recorded stylistically as the Swastika, and which became the basis for the Wewelsburg design, which can be deconstructed into three Swastikas.
The Black Sun is also attributed to Sirius, Aldebaran, and Alcyone, but in this article I’ll be identifying it as Saturn.
CERN was created ostensibly in order to recreate the conditions of the early universe after the Big Bang as a possible means of testing the Big Bang theory which has dominated physics since the middle of the last century. The CERN facility is a giant particle accelerator, housed in a twenty-odd mile long circular tunnel bored inside a Swiss mountain. The accelerator was built between 1998 to 2008 in collaboration with over 10,000 scientists and engineers, as well as hundreds of laboratories. The accelerator allows scientists to collide subatomic particles in a controlled environment and observe the interactions. CERN’s experimental ‘test’ of the Big Bang theory has focused on the search for the elusive Higgs Boson (the “God Particle”) because the Big Bang theorists believe that the universe could not have been created without it. However, anyone who examines the Big Bang theory honestly and in sufficient depth can see that it does not hold water and contains holes in its logic so large that a galactic supercluster could be driven through them. It is just like CAGW theory, but on a cosmic scale instead of merely a terrestrial one. No experimental ‘tests’ for this are needed and so it is a wonder how this half-baked nonsense has become the holy cow of science. The experimental ‘tests’ provided by CERN are superfluous and the creation of their particle accelerator was not needed for the stated scientific purpose.
CERN’s particle accelerator’s true purpose, in my view, is to access an inter-dimensional doorway or worm-hole and this is not just hinted by their iconography and occult connections (as others have pointed out) but something they have suggested themselves. The director of CERN, Sergio Bertolucci, said:
The name CERN is an abbreviation of “CERNUNNOS” — the god of the underworld, who’s mythologically similar to Osiris, Enki, Nimrod or Ninurta. CERN also have a large Shiva statue outside the Large Hadron Collider, symbolizing the cosmic dance of “creation and destruction”, and CERN have performed a so-called dance of destruction in a video that you can watch on YouTube, called ‘Symmetry’ and another video that they exhibited is called ‘Black Rain’. Both videos are very unusual.
The aforementioned CERN video contain some images that subtly look like traditional depictions of worm-holes:
Some claim that CERN’s Large Hadron Collider could spawn worm-holes. According to an article by Charles Choi for NewScientist magazine: “The CERN Large Hadron Collider in Switzerland is expected to generate one mini black-hole per second, a potential source of worm-holes through which physicists could try to send quantum-sized particles”. According to a paper published in Nature: “It has been conjectured that the Large Hadron Collider (LHC) at CERN might reveal traces of a fourth space dimension. This is because gravitation is not confined to branes but leaks out into the bulk. Some versions of the theory predict that, as a result, mini black-holes and worm-holes could conceivably be created from the high-speed collisions between the LHC’s protons and antiprotons”. Furthermore, a paper by Zahra Amirab (who is an expert on worm-holes) called ‘Stability of Thin-Shell Wormholes’, says: “The concept of thin-shell worm-holes has been considered in Einstein’s theory of gravity coupled with different matter sources like Maxwell, Yang-Mills, Born-InfeldHoffman fields, generalized Chaplygin gas and dilaton. [Given the right conditions], it is possible to produce such worm-holes in the high-energy collision experiments that undergo at CERN”. According to some, CERN’s Large Hadron Collider is expected to produce traversable worm-holes as well. Worm-holes are a means by which travelling through space and time is possible, though for one to be traversable it must be much larger than the subatomic size. According to Russian mathematicians Irina Aref’eva and Igor Volovich, the Large Hadron Collider at CERN might have the energy to create traversable worm-holes in space-time. An article by ‘Universe Today’, says: “Irina Aref’eva and Igor Volovich, mathematical physicists at the Steklov Mathematical Institute in Moscow believe the energies generated by the collisions in the Large Hadron Collider may be powerful enough to rip space-time itself, spawning worm-holes”.
When investigating CERN, researcher Goro Adachi discovered that CERN’s Large Hadron Collider machine appears to mirror celestial bodies and speculates that the machine could open a celestial worm-hole (see the article ‘CERN: The Orion Stargate: Decoding The Large Hadron Collider’). The bodies that CERN’s Large Hadron Collider appear to mirror include Venus, Orion, and the Moon. How smashing particles together and mirroring celestial bodies could create a portal or worm-hole, as CERN themselves have alluded to, is beyond my ken, but no doubt it’s all perfectly straightforward according to the CERN-people’s theory.
Quote from Adachi’s article:
❝In this article, the reader will be shown a whole new system of information mysteriously encoded in the layout of the Large Hadron Collider that’s unlike anything they may have seen before. The CERN Large Hadron Collider which some compare to the Tower of Babel, is a “Gateway of God” and presumably only the initiates know the encoded secrets❞
In his book ‘The God Particle’, American experimental physicist Leon Lederman parallels CERN to the Tower of Babel. Quote from the book ‘The Ancient Alien Theory’:
Investigative mythologist, William Henry, who is a producer for the American TV show Ancient Aliens and author of over 18 books in alternative science, says: “If we take his [Leon Lederman’s] words literally, it suggests that the search for the “God Particle” and the creation of these amazing particle accelerators, such as the one at CERN, is actually a recreation of the Tower of Babel. Well, the Tower of Babel seems to have been humanity’s first attempt to blast open holes in Heaven, to open stargates and worm-holes”. Not many have made the association, but the Shiva statue at CERN is actually connected to the Tower of Babel. This is because Shiva is Nimrod, and Nimrod was responsible for building the original Tower of Babel. According to Chris Relitz, in his book ‘Antichrist Osiris: The History of the Luciferian Conspiracy’, Shiva and Nimrod are one and the same character. Quote: “By the time the character of Nimrod reached India, it seems he was known as Shiva. The legends of both are too similar to ignore. Both were associated with fire, destruction, wore bull’s horns, had profound phalluses and wore leopard skins. Both had a trident as a weapon, as the devil today is seen with a pitchfork”. This is corroborated by Erica Nugent in her book ‘Clash of the Kingdoms’, where she says: “Nimrod became Shiva”. Could it be CERN’s goal to recreate the Tower of Babel, which might explain why they have a statue of Shiva (or Nimrod) as their mascot? Co-author of the book ‘Revising Reality’, Anthony Patch seems to think so, where he says: “Strangely, CERN constitutes a new Tower of Babel in several respects. The goal of CERN seeks to defy God, deify humankind, establish human supremacy, and create a stairway to Heaven”. Patch says that CERN is attempting to access the Saturn Polar Configuration and re-establish a worm-hole or link (he calls it a “plasma conduit”). Another name for this “plasma conduit” would be the Tower of Babel.
Similar to Patch, according to Nick Hinton, author of the book ‘The Saturn Time Cube Simulation’ and ‘The Aquarian Singularity’, CERN is attempting to access the worm-hole that existed during the Saturn Polar Configuration, as he explains in his Twitter article here or (if that’s inaccessible to you) his Reddit article here. This worm-hole has been dubbed by some the “Saturn Stargate”. As Hinton says: “The Saturn Stargate is a theoretical celestial alignment (based on the Electric Universe theory) that supposedly causes a portal to open in the sky”. In the TechBubble article ‘How CERN plan to use the Large Hadron Collider to open portals to other dimensions’, researcher Adam Milton-Barker speculates (similar to Hinton) that CERN’s goal is to access the Saturn Polar Configuration, saying: “There are some very interesting theories connected to CERN. One theory is that there is a connection between CERN and Saturn. You may have heard of Jacob’s Ladder which is described in the Book of Genesis. One of CERN’s goals is to recreate Jacob’s Ladder and re-open a portal that is said to have existed between Earth, Venus, Mars, and Saturn, when the planets were in alignment many [thousands of] years ago”. As mentioned above, Talbott associates this alignment with the Tower of Babel. Various researchers have suggested that CERN are attempting to recreate the Tower of Babel, and some have speculated that the Tower of Babel was actually a worm-hole. The Saturn Polar Configuration (which Talbott associates with the Tower of Babel) was also represented by Atlas (see ‘Discourses on an Alien Sky#13’). In Greek mythology, Atlas bared the weight of the heavens on his shoulders. Curiously, CERN refers to the Large Hadron Collider as the “ATLAS EXPERIMENT”, which connects them to the Tower of Babel, and may hint at their real objective.
The aforementioned article about CERN from Adam Milton-Barker:
Investigative journalist, David Icke, has suggested something similar to Adam Milton-Barker and has said that CERN is attempting to open a portal to Saturn, as he explains in his book ‘Everything You Need to Know But Have Never Been Told’. Quote from the book:
Jon Russo says in his article ‘Banquo’s Safe’: “The relation of the Golden Age of Saturn reconstructed with CERN is an idea of Anthony Patch — that depends on the Golden Age in the Thunderbolts Project — which states that before the planets of our solar system assumed their current orbits, Venus, Mars, and Saturn were in conjunction. CERN seeks to re-establish the strong electrical bond between the planets [and access a portal between the planetary bodies that existed back then]”. One commentator on the website ‘Mind Control Missile Murder Madness’ explains the idea that CERN is attempting to access the Saturn Polar Configuration as follows: “According to ancient texts like the Nag-Hammadi and Vedic sources, there was a bridge established between Saturn and the Earth in those days [many thousands of years ago], especially due to the augmented electromagnetic and electrogravitic forces between the then-closer bodies. It was a plasma conduit [i.e. Cosmic Mountain], visible to the naked eye from Earth, and highly charged with roiling, fizzing particles. So spectacular was its vision, that it lived on long after the link was broken, surviving into Biblical times as the tale of Jacob’s Ladder and farther still into popular terminology as the “Stairway to Heaven”. Some researchers believe that these same currents form the electromagnetic basis for the theory of ley lines (also called telluric energies) that blanket our globe in such curious, yet structured, patterns, and specifically connect such megalithic sites as Stonehenge, Angkor Wat, Gobekli Tepi, and the Great Pyramids in one enormous latticework. And here we reach the key to the inner-chamber, because, according to Anthony Patch and others, it is this bridge or twisted plasma conduit [i.e. Cosmic Mountain], which CERN seeks to re-establish”.
Below is a building at CERN which makes for an interesting design choice because it somewhat resembles the Saturn Polar Configuration. We have the large sphere which is Saturn, the circumpunct of Venus, and the keyhole-shaped Cosmic Mountain. CERN describes the building as follows: “CERN’s Globe of Science and Innovation exhibition centre and the nearby Meyrin site which provides access and support for the ATLAS EXPERIMENT, one of four experiments on the Large Hadron Collider”. The essential question at issue is, why are CERN seemingly commemorating the Saturn Polar Configuration with their buildings, if they are not connected to it?
CERN have made other slightly more subtle nods to the Saturn Polar Configuration. In April 2017, they published an article named ‘Ancient particle accelerator discovered on Mars’ where they joke that they discovered a particle accelerator on Mars and they say that it served as a worm-hole. This accelerator they say was situated on Olympus Mons. Quote: “The team has shown that Olympus Mons, previously thought to be the largest volcanic formation in the solar system, is in fact the remains of an ancient particle accelerator thought to have operated several million years ago. This particle accelerator — a veritable “stargate” — is thought to have served as a portal into the solar system for a highly technologically advanced civilisation with the aim of colonisation”. It’s perhaps important to point out that the name Olympus Mons is Latin for “Mount Olympus” which was another name for the Cosmic Mountain in the Saturn Polar Configuration, which as mentioned above, some believe was a worm-hole. Quote from Talbott’s ‘The Saturn Myth’: “Throughout the world one encounters the story of a shining peak which once rose to the centre of Heaven. Though this Cosmic Mountain appears under many different names, accounts from every section of the world tell much the same story. The Egyptians knew the great column as the Primeval Hill, the Babylonians as the World Mountain. The mount passed into Hinduism as the Cosmic Meru, into Iranian myth as Hera-Berezaiti, and into Chinese myth and astrology as Kwen-Lun. Mexican cosmology gave it the name Colhuacan. Its most familiar representatives were Olympus and Zion”. CERN referencing Olympus Mons, which is Latin for Mount Olympus (and connecting it to a worm-hole no less) is another example of them associating themselves with the Saturn Polar Configuration, albeit more subtly.
Curiously, the CERN logo appears to depict a 666. As Jeremy Westerman says, in his book ‘Serpent’s Agenda’: “The CERN logo has CERN surrounded with 666 with the circle part surrounding CERN”. 666 represents different things to different people. Saturn is apparently associated with 666. In his book ‘2012 Enlightened’, Brad Carrigan, says: “The Chaldean number system of the ancient Indian, Mazdean, and Egyptian for Saturn is 666”. The number 666 also relates to the Saturn Square and equates to 666 when calculated horizontally and vertically.
Finally, below is an image from CERN’s Large Hadron Collider showing Alice in Wonderland — a nod to inter-dimensional travel.
Well-known occult researcher and author of the book ‘Baphomet: The Temple Mystery Unveiled’, Tracy Tywman says:
❝CERN’s logo for the ALICE project, showing the portal underneath a blue arch❞
In the Bible, we are told that the Tower of Babel was constructed in a place called Shinar. Shinar means “land of two rivers”. We would therefore look for Shinar in a territory that includes two rivers. Coincidentally, in Geneva (where CERN resides) there are two large rivers that converge
ANGELS AND DEMONS: THE MOVIE THAT FEATURES CERN
Angels and Demons was filmed largely in CERN. The plot follows symbologist Robert Langdon as he tries to stop the Illuminati from destroying the Vatican Courtyard. It starts off with CERN initiating the Large Hadron Collider and smashing particles which produces antimatter. The antimatter is then stolen and planned to be used as a bomb which I think is just a plot-device to serve as an excuse for the scene explained below. The antimatter from CERN is found by the character McKenna who seizes the unstable antimatter (which is about to explode) and uses a chopper to fly over the Vatican Courtyard and jumps out as it explodes. The antimatter from CERN explodes directly above the 8-spoked Sun Wheel in the Vatican Courtyard. This Sun Wheel in the Vatican Courtyard was modelled on the symbol of Shamash and is a representation of the Saturn Polar Configuration (as shown in the image below). This scene from Angels and Demons, in my view, essentially depicts CERN tearing the veil and accessing the Saturn Polar Configuration that Talbott associates with the Tower of Babel.
The possibility the Large Hadron Collider at CERN could be used as a means to open up an inter-dimensional doorway or worm-hole has no doubt been the inspiration behind the various TV references which explore the same sort of themes. For example, in the movie Spider-Man: Into the Spider-Verse, a particle collider called the Super-Collider is “a particle accelerator designed to bridge the gap between dimensions“. The design of the particle collider in Spider-Man: Into the Spider-Verse was inspired by the CMS experiment at the Large Hadron Collider at CERN. In the TV series Steins Gate, through the means of Kerr black-holes, the Large Hadron Collider at CERN (SERN) is used to travel in time, and in the movie Cloverfield: Paradox, a particle accelerator tears a hole in the fabric of space and time, opening up a portal. In the TV show Parallels, we follow four teenage friends, on the French-Swiss border, whose lives are turned upside down by the Large Hadron Collider at CERN, which opens a rift and sends them to a parallel dimension. Meanwhile, in the movie Portals (2020), a particle accelerator opens portals around the world, and in the video-game Shin Megami Tensei IV, a particle accelerator called “Yamato Perpetual Reactor” opens portals to other dimensions. In John Ringo’s novel ‘Into the Looking Glass’, the explosion of a particle accelerator produces Higgs particles that somehow generate worm-holes. Lastly, in the popular TV series Mr Robot, there is a very overt CERN-reference, where a machine that looks identical to CERN is created. The CERN-like machine was inspired by the Large Hadron Collider ATLAS detector. The machine was created by the character Whiterose and is referred to as a “VLHC” (Very Large Hadron Collider) and is associated with alternate dimensions, time-manipulation and resurrection.
While the scenarios above linking particle accelerators to traversable worm-holes are science fiction, there does seem to be a legitimate, real-world link between CERN and the Saturn Polar Configuration, or the “Saturn Stargate”.
THE SATURN STARGATE
What has become known popularly as the “Saturn Stargate” is essentially a planetary conjunction that was visible in the sky thousands of years ago, as the planets Saturn, Venus, and Mars came together, culminating in a worm-hole. Based on the work of Immanuel Velikovsky and ancient accounts throughout the world, in the 1980s, Talbott suggested that thousands of years ago the planets underwent great upheavel. As Saturn, Venus, and Mars travelled across the sky, they descended and aligned overhead Earth, in a spectacular astronomical event now dubbed the “Electric Universe” theory or the “Saturn Polar Configuration”. As they were aligned overhead Earth something remarkable happened. Mars descended and formed a mountain or pathway to Saturn and Venus. You can see various illustrations of this alignment in the image here. According to Talbott, this celestial alignment is where the stories of the Tower of Babel come from which was the “Gateway of God” (see ‘Discourses on an Alien Sky’ for reference). In this interpretation, we can therefore think of the Saturn alignment (which was characterized by an 8-spoked wheel or 8-pointed star) as essentially a gateway into Heaven.
According to investigative mythologist, William Henry, the 8-pointed star was recorded by ancient civilizations, such as the Sumerians, as the “Gate of the Gods”:
There’s a recurring theme in pop-culture of inter-dimensional travel and 8-spoked wheels (or 8-pointed stars) as shown here and here is art-work from the Stargate movie, paralleling the Saturn Polar Configuration. The Stargate movie was based on opening a portal to Ra who Talbott associates with Saturn. With that in mind, compare the images below.
1) The Cosmic Mountain to the 8-spoked Saturn Sun (also known as the Saturn Polar Configuration) from ‘Discourses on an Alien Sky’ (which Talbott associates with Mount Olympus, Mount Zion, and the Tower of Babel, inter alia). The symbol is repeated throughout ancient civilizations (see Talbott’s book ‘The Saturn Myth’ and his various video-documentaries) and notice that it’s in the shape of a keyhole 2) The 8-spoked worm-hole from the Stargate movie. In this movie, the worm-hole leads to Ra and Ra is identified as Saturn. Notice the image above is in the shape of a keyhole with the walkway representing the Cosmic Mountain 3) An aerial photo of the Vatican Courtyard and once again it’s composed of 8-spokes and is in the shape of a keyhole. The Gateway of God was represented by an 8-spoked symbol, known as the ‘Cross of the Ilu’ which is similar to the 8-spoked configuration of Saturn, Venus, and Mars that Talbott associates with the Tower of Babel. The 8-spoked or 8-pointed Sun Wheel in the Vatican Courtyard is modelled on the symbol of Shamash (identified as Saturn) and was featured prominently in the movie Angels and Demons (which was based on CERN) and CERN displays Saturn symbolism in their art-work (such as Shamash) and have admitted they could access doors to other dimensions. Anthony Patch suggests that CERN is attempting to open a worm-hole and associates this worm-hole with the Cosmic Mountain to the Saturn Sun. He refers to the Cosmic Mountain as a “plasma conduit”. The prime movers of CERN’s Large Hadron Collider project (and also the Future Circular Collider) possibly are trying to access an inter-dimensional gateway and this is illustrated straightforwardly by the images and correlations above.
In his book, ‘The Saturn Myth’, Talbott describes the Cosmic Mountain to Saturn as a gateway (or portal of sorts):
While Talbott describes the Saturn Polar Configuration as a “gate”, one wonders how a planetary alignment of Saturn and Venus could have possibly created a gate or portal? Nick Hinton explains that perhaps a portal has always been on Saturn, saying: “But how would it be possible for a planetary configuration to create a portal? Perhaps the portal has always been there. On top of Saturn there’s a hexagon that some scientists suggest might be the side-effect of a gravitationally stablized worm-hole inside the planet” (if we assume that the images of Saturn’s hexagon are real of course). In his book ‘Naos’, Ona Ona describes the possibility of a stargate existing near (or even inside) Saturn, saying: “Stargates are regions in space-time where our casual universe and the universe of the acasual are joined — they are physcial gates and passage from one universe to another is possible through them. There are stories of a stargate within our solar system — the gate through which gods came to Earth. This stargate is believed to be near Saturn”. The idea of worm-holes being associated with Saturn also has a broad enough appeal to be the central logic behind Hollywood blockbusters. For example, in the movie Planet of the Apes (2001), the electromagnetic worm-hole that the protagonist uses to time-travel is located near Saturn, and in the movie Independence Day: Resurgence, a worm-hole manifests on Saturn’s rings. Meanwhile, in the movie 2001: Space Odyssey, the protagonist, Bowman, enters a worm-hole originally by Saturn, and warps through time and space, and in the movie Interstellar, the protagonist, Cooper, flies through a mysterious worm-hole by Saturn. Lastly, in the movie Tron: Legacy, the protagonist escapes the simulation that they’re trapped in by entering into a portal that looks identical to Saturn’s hexagon.
Nick Hinton suggests that the Saturn Stargate is a portal out of this world (or virtual reality as he calls it) into a higher dimension:
In the video-game Observation, the protagonist, Emma Fisher, travels into the Saturn hexagon and finds herself in a strange place where multiple universes converge. In the game, Saturn acts as a sort of portal or worm-hole into a higher dimension.
Interestingly, scientist and author Dennis McKenna theorizes that the hexagon on Saturn could be the result of a “gravitationally stabilized worm-hole”:
Richard Hoagland, who is a science writer, has put forward theories in regard to Saturn being a gateway. According to Hoagland, the hexagon on Saturn is caused by hyperdimensional physics and the hexagon goes down to the core of Saturn and is caused by energy from the core which comes from another dimension. The theories and observations of Hoagland elicited Judith Cameron to say the following in her book ‘Spiritual and Galactic Awakening: The Cosmic Classroom’: “Is it possible Saturn’s hexagon is actually a portal or a stargate that allows one to move freely and easily through time and space?” As mentioned above, during the Saturn Polar Configuration, the crescent that formed under Saturn was morphed into a ship. See here for a good explanation. Below is a quote from ‘Ancient Egyptian Mysteries’ that relates the Saturn Polar Configuration (also known as the Saturn Ship) to a gateway or worm-hole:
❝The Saturn Ship is a vehicle in Egyptian mysteries. It’s called the “Ship of Eternity”. The design of the boat is similar to a quantum worm-hole, with lotus vortex openings❞
The Saturn Ship may not be something one resides within, but rather a worm-hole that enables one to travel to certain points in the space-time continuum instantaneously — as suggested by William Henry (who calls it the “Osiris Device”). According to the book ‘Men in Love’, by Vittorio Lingiardi: “In classical representations of the Zodiac, Saturn is the Sol Niger or Black Sun”. Allan Cornford, says, in his book ‘The Kings of the Earth and the High Ones’: “Saturn is the primeval Sun known as the Black Sun”. There are various references in pop-culture to the Black Sun being associated with worm-holes and inter-dimensional travel. In the TV show Space: 1999, there was an episode called the “Black Sun”. When the characters enter the Black Sun, they have a surreal, time-bending experience and are instantly propelled a million light years away. In the video-game Wolfenstein, the Black Sun is another dimension and the Nazis attempt to uncover secrets of the Thule people; an ancient civilization that discovered how to enter the “Black Sun Dimension” through portals. In the video-game Remnant: From The Ashes, the Black Sun is depicted as a gateway. The famous occultist Miguel Serrano argues that the Black Sun was a worm-hole. This is echoed by Michael Ballinger, who describes the Black Sun as “a worm-hole allowing for instantaneous travel across interstellar distances”. In his book ‘The Giza Death Star Destroyed’, Joseph Farrell, who is the author of several books in alternative science, associates the Black Sun with “a gateway to higher dimensions” and “illumination of the soul”. This line of thinking is reinforced in the book ‘The Black Sun Conspiracy: The Dark Heritage of The Global Elite’, by Zak Jones, who says: “The Black Sun was a portal to another dimension, or a kind of stargate”. Freya Aswynn says that the Black Sun was “a gateway into multiple inner planes of reality, a worm-hole of the sort reflected in modern scientific speculations around black-holes”.
THE SATURN STARGATE AND FREEMASON SYMBOLISM
One of the most well-known set of Freemason symbols is the Masonic Tracing Board which is a set of printed illustrations depicting the various emblems and symbols of Freemasonry. The Masonic Tracing Board has always been a source of fascination to me and it became clearer to understand when I discovered the work of Talbott and his book ‘The Saturn Myth’. From a historical perspective, the Saturn Polar Configuration may provide clues about the symbols on the Masonic Tracing Board. In ‘The Saturn Myth’, Talbott refers indirectly to some of the symbols on the Tracing board; notably the two pillars. According to Talbott, based on accounts from ancient cultures around the world, thousands of years ago, the planets underwent great upheavel and aligned overhead Earth, in a spectacular astronomical event dubbed the “Saturn Polar Configuration”. Quote from ‘The Saturn Myth’: “In the earliest age recalled by man the planet Saturn was the dominant celestial body. Accounts of Saturn’s appearance suggest that the planet hung ominously close to Earth”. The planets that aligned were Saturn, Venus, and Mars. The image below is loosely how this alignment would have looked — with Saturn characterized by an 8-pointed star.
Quote from ‘The Saturn Myth’: “The hieroglyphic symbol of the Shu-pillar or mountain [the Saturnian Cosmic Mountain] is called the two pillars of Heaven”. The two pillars are a Masonic symbol, known as Jachin and Boaz. According to whom you speak, the esoteric Masonic pillars are associated with various things. The Masonic pillars are associated with the pillars on the Kabbalistic Tree that symbolize “Severity” and “Mercy” and were part of a symbolic use of Solomon’s Temple, but can be traced back further. The Saturn-crescent (as seen in ‘The Saturn Myth’ and ‘Discourses on an Alien Sky’) was morphed into two pillars and was represented by the Egyptian hieroglyph “Akhet” which translates to “Horizon of Light” or “Mountain of Light”. The Mountain of Light was the Cosmic Mountain and the Masonic pillars were based on the Saturn-crescent which formed a luminous U-shape. The Masonic pillars stand at the “gateway to Heaven”, an Axis Mundi, a place where worlds meet and commune with each other. Going beyond the Masonic pillars can mean leaving behind Earth to reach a higher realm of enlightenment and transform the body both physically and spiritually into an everlasting existence. As Robert Palazzo explains: “Symbolically speaking, going beyond the Hercules [or Masonic] pillars meant leaving the foulness of this world into a higher realm of enlightenment”. Going beyond the Masonic pillars can mean leaving the realm of Samsara, and entering the realm of Nirvana — a spiritual-transcendent dimension.
The same 8-pointed star keyhole symbolism as the Saturn Polar Configuration is shown below on a Masonic stained-glass window:
It’s commonly believed that the Blazing Star between the Masonic pillars is Sirius, not Saturn or Venus. Therefore, it’s possible that Talbott has misinterpreted the bodies in the celestial alignment (some people such as Michael Ballinger have suggested that Venus could have been Alcyone). Masonic historian, Henry Coil, says: “But whether the Blazing Star refers to Saturn or the Sun or some other heavenly body is not ascertainable”. In his book ‘Myth, Magick, and Masonry’, Jaime Lamb connects the Masonic Blazing Star to Venus, saying: “The Blazing Star’s relationship to Venus (also anciently known as the Morning Star) may best be illustrated by the fact that it is represented in the form of a pentagram. This significance comes primarily from the fact that Venus traces [a perfect pentagram across the sky every eight years when observed from Earth”]. While some argue that the Masonic Blazing Star is Venus, some have suggested that it could be Jupiter. The ancient Greeks knew Jupiter as Phaethon (Φαέθων) meaning “Shining One” or “Blazing Star”. Whether the Masonic Blazing Star is Sirius, Saturn, Venus, Jupiter, Alcyone, Aldebaran, or some other heavenly body, it’s acknowledged by some that Freemasons deceive people as to the true meaning of their symbols. For example, the prominent Freemason, Albert Pike, said in his book ‘Morals and Dogma’: “Part of the symbols are displayed there to the initiate, but he is intentionally misled by false interpretations. It is not intended that he shall understand them; but it is intended that he shall imagine that he understands them”. Part of the problem is that much of what Freemasons are doing is buried under layers of armour-clad secrecy so many strata deep that only archaeologists of the distant future will have any hope of disinterring any of these things.
In ‘Morals and Dogma’, Pike, wrote: “The Blazing Star has been regarded as an emblem of Omniscience, or the All-Seeing-Eye, which to the ancients was the Sun”. In his book, Pike connects the ancient Sun to the All-Seeing-Eye and the Blazing Star. Well, we know that the ancients considered Saturn to be the Sun, as explained by Talbott in ‘The Saturn Myth’. The Babylonians linked Saturn to the Sun (“son of Shamash” and “star of Helios”). In the article ‘Saturn as the Sun of Night in Ancient Eastern Tradition’, researcher Peter James, says, “attested in Mesopotamia and followed by the Greeks and Hindus, there’s a long-standing association with Saturn as the Sun”. Troy McLachlan, says, in his book ‘The Saturn Death Cult’: “The ancients did indeed see a Sun-like object residing in their skies — and that object was Saturn”. According to political scientist, Alfred De Grazia, in his book ‘Homo Schizo: Human Nature’, Isaac Vail, who was an amateur scientific theorist, connected the All-Seeing-Eye (which remember was also the Masonic Blazing Star) to the Saturn Polar Configuration, saying: “The All-Seeing-Eye is one of the earliest and most nearly universal symbols. Isaac Vail believed that the primordial eye was the boreal opening from which Saturn on his throne looked down upon his domain”. Meanwhile, in his (co-authored) book ‘The Ark of Millions of Years’, physicist Alexander Agnew, who has published thousands of technical papers, says: “The portal into Heaven is marked by the All-Seeing-Eye”. So, could this be what the Saturn Polar Configuration essentially is, then? Some portal or gateway into Heaven?
The Egyptian Ankh was based on the Saturn Polar Configuration, as Talbott explains in ‘The Saturn Myth’, saying: “The Ankh (whose origins experts have long debated) is but a conventionalized image of the [Saturn] Polar Configuration”. In the book ‘Secret Societies: Revelations About Freemasons’, by Philip Gardiner, he explains that the Ankh was seen as a gateway or portal to higher dimensions. Quote: “The Ankh is known as the Crux Ansata. It is a simple T-cross, surmounted by an oval — called the Ru. The Ru is often seen as a gateway or portal to another dimension, such as Heaven. The Ankh therefore becomes the symbol of transition from one place to another. It outlived Egyptian domination and was widely used by the Christians as the [Latin] Cross”. As well as being linked to the Ankh, the Saturn Polar Configuration can be linked to other symbols. Probably the most recognizable Masonic symbol is the All-Seeing-Eye, included in the architecture of the Great Seal of the U.S. Dollar Bill. Fixed within a triangle, the disembodied eye is surrounded by rays of light and rests upon an unfinished pyramid. The All-Seeing-Eye finds its roots in ancient Egypt as the Eye of Horus (or Ra) and can be traced back to the Saturn Polar Configuration. During the alignment of Saturn, Venus, and Mars, in their different configurations, they formed an 8-pointed star and triangle. Quote from ‘The Saturn Myth’: “Saturn wears the band as a golden girdle, collar or crown. He dwells in it as the pupil of the All-Seeing-Eye”. To see this All-Seeing-Eye alignment explained see ‘Discourses on an Alien Sky#5’. The image below is loosely how this would have looked.
This is likely the inspiration for the All-Seeing-Eye on the U.S. Dollar Bill.
Some have suggested that the symbols on the U.S. Dollar Bill were created by Freemasons. After all, some of the Founding Fathers were apparently Freemasons (such as George Washington, Benjamin Franklin, Paul Revere, and John Hancock) and the All-Seeing-Eye was ostensibly adopted by Freemasonry in 1797 and only 5 years later was adopted on the reverse-side of The Great Seal. Many believe that Freemasons are responsible for the eye-excruciatingly small image of the owl; a Masonic symbol for “knowledge”. So, what’s the goal of Freemasons, then? Assuming the All-Seeing-Eye on the U.S. Dollar Bill is a respresentation of the Saturn Polar Configuration, which Talbott has associated with the Tower of Babel, we then have a connection between Freemasons and the Tower of Babel. Indeed, some have suggested that the pyramid on the U.S. Dollar Bill is a representation of the Tower of Babel. According to researcher Jim Cornwell: “The pyramid on the Great Seal represents the unfinished Tower of Babel”. In his book ‘Antichrist Osiris: The History of the Luciferian Conspiracy’, Chris Relitz, writes: “The unfinished [pyramid] seen on the American Dollar Bill may be a reference to the Tower of Babel”. According to Christopher Hodapp in his book ‘Freemason Symbols and Ceremonies For Dummies’: “Freemasonry’s legends claim that the group was descended from the great builders of the Old Testament — Noah’s Ark, the Tower of Babel, and King Solomon’s Temple”. Researcher Alexander Slade describes how Freemasons were possibly responsible for the Tower of Babel. Tentatively then, it would make sense if the goal of Freemasons was to recreate the Tower of Babel and reconnect Heaven with Earth.
Below is an old Freemason Tracing Board showing the All-Seeing-Eye over a pillar, with the pillar likely representing the Cosmic Mountain:
Below is a painting from 1772 by Francisco Goya called ‘The Adoration of the Name of The Lord’ that shows the All-Seeing-Eye triangle in the sky, representing the Saturn Polar Configuration.
The Saturn Polar Configuration was also known as the Cosmic Tree, with Saturn’s crescent and characteristic 8-pointed star forming the branches (a canopy or umbrella overhead). The Cosmic Tree is a common motif in pop-culture and is an old archetype that spans the ages. The many levels of reality relating to this world are said to be linked by the Cosmic Tree which is a symbol showing the interconnectedness between Earth and other dimensions. The Cosmic Tree was represented as a huge tree that held up the heavens, connecting Heaven to our dimension, and through far-reaching roots, the underworld. It was called Yggdrasil in Norse mythology, Oak in Salvic mythology, Modun in Mongol mythology, Irminsul in Germanic mythology, Jianmu in Chinese mythology, and Ashvattha in Hindu mythology, inter alia. The Christmas Tree was a symbol for the Cosmic Tree upon which Saturn appeared poised; and the lights used to illuminate the tree, especially the star that is traditionally placed atop the tree, was a representation of how Saturn once “sat, Sun-like, on the top of its pillar or pedestal of light”. The Cosmic Tree can sometimes be seen in Masonic Tracing Boards, as shown below.
The image below is a comparison between the Masonic Square and Compass (on the left), the Stargate logo (in the centre) and the Cosmic Mountain to Saturn and Venus (on the right), also called the “Saturn Polar Configuration”. The design of the Square and Compass corresponds to the configuration of Saturn, Venus, and the Cosmic Mountain, as seen in ‘Discourses on an Alien Sky’. In this interpretation, the circle at the apex of the Masonic Compass represents the Blazing Star and the triangular appearance of the Compass itself represents the Cosmic Mountain or pathway.
The connection between Freemasonry and the Saturn Polar Configuration becomes more apparent when we compare the stained-glass painting above to the front cover of ‘The Saturn Myth’ book, as shown here.
SIMILAR SYMBOLSIM TO THE IMAGERY ABOVE
There are various pop-culture references to the O and A (or △) symbol. The O and A symbols are often overlaid 𓇵; with the A (or △) appearing within the O symbol. Some of these references are shown below. These symbols are probably derived from the celestial alignment of the Cosmic Mountain to Saturn, which during its various configurations, made a △ shape, accompanied by a circle (as Saturn and Venus) with the △ appearing below the circle, as can be seen here — taken from David Talbot’s ‘Discourses on an Alien Sky’. This 𓇵 symbol is seen throughout ancient civilizations, such as the Phoenician Tanit symbol and Egyptian Menat symbol here. In Talbott’s book ‘The Saturn Myth’, he describes the symbol here. The symbol is keyhole-shaped and I believe is an actual stargate.
THE 8-POINTED STAR IN MOVIES AND TV
There are lots of examples of movies incorporating an 8-pointed star and some are shown below. Once you become aware of this you’ll start to see it everywhere. It’s my opinion that this Saturn symbol (associated with Shamash and Inanna) is a worm-hole or stargate as explained in the “Saturn Stargate” section above. The 8-pointed star is often accompanied by a circle in its centre, as shown by Talbott with Saturn, Venus, and Mars here.
SATURN AND THE BLACK CUBE
Over the last few years, I’ve been very interested in the mysterious symbol ubiquitously known simply as the “black cube”. For the uninitiated, the black cube is apparently a symbol of Saturn and it often pops up in important locations throughout the world, as shown here. To quote Jordan Maxwell from the book ‘Matrix of Power’: “The symbol that was used in religious context with Saturn was the black cube”. There are monuments of the black cube in various sites throughout the world and it’s often shown in movies, music videos and other media. Unfortunately, there’s not a lot of information about it and so it’s very much open to interpretation about what it represents, although many people suggest that it represents the material world. In the book ‘The Dark Path’, Isaac Weishaupt explains the black Saturn cube as “a symbol for the Gnostic representation of Saturnian materialism and the “false illusion” of our world”, while author Tracy Twyman explains the Saturn cube as a tesseract and the real cosmological model of the universe.
In some ancient cosmologies, Heaven is represented as a circle (or sphere) and the Earth is represented by the square (or cube). This cosmography (in China) is known as “gai tian”. Here Heaven is traditionally represented in 2-dimensions by the circle (3-dimensions by the sphere) and the Earth is represented by the square (or 3-dimensions by the cube). Here Heaven refers to the universal principle of consciousness and Earth (as the cube) refers primarily to the 3-dimensional spatial matrix where the individual impulses of the spirit are given apparent material forms. In this traditional esoteric conception, the symbol of the cube represents the reality we experience as the material world. This philosophy has also been incorporated into Freemasonry. In Masonic doctrine, the circular Compass (in the Square and Compass) represents Heaven and ‘higher consciousness’ with the Square representing Earth and ‘lower consciousness’.
❝According to Pythagoras, the position of each body in the universe was determined by the essential dignity of that body. The popular concept of his day was that the Earth occupied the centre of the solar system; that the planets, including the Sun and Moon, moved about the Earth; and that the Earth itself was flat and square❞
Manly Palmer Hall
The cube is one of five Platonic solids and the straight lines passing from its centre though the centres of each of its opposing six faces and continuing to infinity constitute the Cartesian axes of the commonly perceived 3-dimensional space. In the book ‘Heaven and Earth on Greek Cosmology’, Dirk Couprie explains that Plato “maintained that the shape of the Earth was a cube” and assigned the cube to Earth because it was “stable and immovable”. In Egypt, the Pharaoh is often depicted sitting on a cubic throne which itself may be a representation of the Earth. In some instances, the Egyptian Sun God is shown guiding the human soul from the cube “back to their place in the starry sky” (see the book ‘Secrets of Ancient America’). In Tibetan Buddhism, the Earth is also represented by a cube, namely a yellow cube (see the book ‘The Handbook of Tibetan Buddhist Symbols’). According to Michael Ballinger: “The [Saturn] cube is merely the three-dimensional version of the four-sided square, which corresponds to the physical realm and material world”.
In pop-culture, the cube is often portrayed as a prison that humans are trapped inside, sometimes associated with virtual reality and time loops. For example, in the movie 2036: Origin Unknown, the protagonist finds themselves trapped in a black cube experiencing a virtual reality time loop, until they eventually escape. They only escape after passing a Turing Test and becoming ‘more human’. Similarly, in the movie Infinity Chamber, the protagonist finds themselves trapped in a room (which has been designed to resemble a black cube) and they are also trapped in a time loop while experiencing a virtual reality. This idea seems to be reinforced by other TV shows and movies. In the TV show Sherwood, the black cube is portrayed as a prison that humans reside within which is similar to the cubed-prison in the Marvel Universe, the cubed-prison called the Glade in the Maze Runner, the cubed-prison in the movie Immortals, and of course the prison in Vincenzo’s Cube movies, where the protagonists must negotiate a maze-prison of interconnected rooms, with the collection of rooms itself being a giant cube.
Another movie that features a cube in similar context is Christopher Nolan’s Interstellar, which includes a hypercube that humans unknowlingly reside within. In this movie, the protagonist, Joseph Cooper, enters a worm-hole near Saturn and finds himself viewing the Earth from a higher dimension in a tesseract (which is a 4-dimensional cube) and the inhabitants of Earth are residing within this cube and unaware of Cooper’s existence in the higher dimension. Cooper eventually escapes the cube (near Saturn) and is transported to a new environment where reality is radically different to Earth. In this place, he sees Monolith-TVs and within these TVs are the people on Earth that he left behind. In 2001: Space Odyssey, the Monolith was originally designed as a cube. One could interpret this as Cooper escaping the Saturn cube and then viewing those on Earth still trapped within it.
According to the book ‘The Cult of the Black Cube’, by Arthur Moros, the black Saturn cube represents a “prison dimension”. Carrying on with this theme of the cube being a form of imprisonment, in the Bank of America, there exists a mural showing a woman seemingly imprisoned in a cube, while tethered to what appears to be the Black Sun. The idea that the cube represents a prison which in turn represents physcial reality is similar to the idea in Gnosticism, where physcial reality is assumed to be a prison and an illusion or false virutal reality, created by a malavolent being known as the Demiurge. The idea that ordinary, unenlightened humanity, are trapped or imprisoned in a false virtual reality is a very old one, of course, that even predates the Gnostics, and some say that it goes right back to the Fall when Adam and Eve found themselves cast out of Eden for eating from the fruit of the Tree of the Knowledge of Good and Evil. In this interpretation, the Fall of Humanity was a fall into illusion, and a corresponding closing down of consciousness of true reality — an imprisonment in virtual reality, in other words.
Another movie that might reference the Saturn cube is 2001: Space Odyssey. In this movie, the Monolith was probably a representation of the Saturn cube. The Monolith was originally designed as a black cube and was located near Saturn (originally). Some have interpreted the end of the movie as Bowman, the protagonist, escaping a virtual reality (represented by the Monolith or cube) and ascending into a higher dimension. Paul Oakenfold’s music video ‘Southern Sun’, also features a black cube in similar context to the movies referenced above. In this music video, a young model is being photographed and sexualized and during the photo-shoot she has a spiritual awakening. She is then shown leaving Earth, as she sits inside a black cube, and appears to enter a sort of stargate as visuals rush past her. The lyrics of the song I think are relevant, in the context of the cube, as she repeatedly sings “set me free”. At the end of the video, an orb comes out of the cube, in which she was sitting inside, which I interpret as her soul being liberated and set free. The name of the song ‘Southern Sun’ could possibly even be a reference to Sirius which is a bright southern star.
The black cube is also associated with the horned-deity Baphomet, as shown by the image below. Baphomet was a deity that the Knights Templars were accused of worshipping in blasphemous ceremonies in the 14th-century and were imprisoned by King Philip IV of France. Some of them that were tortured admitted to worshipping Baphomet (and also confessed to the Pope not under torture). In 1856, Éliphas Lévi drew the first depiction of Baphomet that took the form of a semi-human-semi-goat hermaphrodite. According to Tracy Twyman, in her book ‘Temple Mystery Unveiled’, Éliphas explained that Baphomet was “a symbol of transcendental power beyond good and evil, man and beast, or male and female energies, capable of performing any transformation of matter that the human mind could conceive” and represented the “synthesis of all energy, both on Earth and in Heaven”. This was echoed by 33 degree Freemason Albert Pike, who described Baphomet as the magical force of the universe, while occultist Aleister Crowley described Baphomet as being representative of “arcane perfection” through a union of opposites.
I believe it’s a possibility that the male aspect of Baphomet represents Osiris and the female aspect represents Isis. In the book ‘The Hidden Faces of Eve’, it’s said that the myth of Osiris and Isis does not differ in essence from Adam and Eve. Some believe that Adam and Eve was originally a hermaphrodite being, but was split apart by God before the Fall. Some view this hermaphrodite as the perfect Primordial Man and one day they believe humanity will be fused back into one androgynous entity and mankind’s entrapment in the material realm will be reversed and we will be restored back to our original self. The ATBASH cipher may give some insight into Baphomet’s origins. The ATBASH cipher is a monoalphabetic cipher formed by mapping the alphabet in reverse and when the Hebrew letters spelling Baphomet are applied to the cipher it generates “Sophia”. According to some, Sophia (“wisdom”) is the same as the goddess Isis who is said to be interchangeable with (many goddesses including) Cybele. This is interesting, because the name Cybele is connected to the word “cube” and Cybele was a hermaphrodite. Baphomet of course is a hermaphrodite too and is associated with the cube.
Essentially, the Saturn cube is what we (and our manufactured reality) could reside within and this is how it’s often portrayed. Michael Jolta explains the Saturn cube as “a reference to the synthetic reality that has been imposed on creatures of the physical plane of existence”, saying that: “It’s very much the ‘matrix’ that is used to bind spirit and consciousness” and author Alex Rivera explains the Saturn cube as something that we could possibly reside within, saying that it “weirdly affirms the infamous Flat Earth model”. Saying that we could be in cube doesn’t make sense when you consider the mainstream cosmological view of the universe, and you probably have to pause to realize how bonkers this all sounds. But since 2015, there has been a growing number of people that have converted over to the Flat Earth geocentric model, and surprisingly, their arguments make sense, if you take the time to digest them and fully comprehend them into your understanding. We literally could be in a cube, as the ancient cosmologies tell us.
CUBE IMAGERY IN MOVIES AND MUSIC VIDEOS
Below is a list of movies, TV shows and music videos that contain (black) cube imagery.
2001: A SPACE ODYSSEY
Space Odyssey was a remarkable technical achievement with cinematography that still stands out today as being quite amazing. It was a collaboration between Clarke and Kubrick, with Clarke writing the novel and Kubrick directing the movie. Both were in development simultaneously, with the release of the movie preceding the novel. Space Odyssey is somewhat ambiguous and will lead you on a phantasmagorical trip around the universe and up the garden path until your mind is utterly lost in bewilderment. The key to better understanding Space Odyssey undoubtedly lies with the Monolith; a rectangular black slab that propels the movie forwards and creates a visual hierarchy between it and humans. There are various interpretations of the Monolith, and in my opinion, I think it represents more than one thing. However, what is definite, to my mind, is that the Monolith was representing the Saturn Polar Configuration. We know that the Monolith was probably representing the Saturn Polar Configuration because of the celestial configuration Kubrick used. Below the image on the left represents the Saturn Polar Configuration when the stars were assumed to have been aligned differently (from ‘Discourses on an Alien Sky’) and the central image is a scene from Space Odyssey showing the Monolith. This symbol is seen throughout ancient civilizations and could be associated with sky-gods like Quetzalcoatl.
Now, I do consider the book and movie separate and some have suggested that Clarke could have been second-guessing Kubrick after the movie had been made, but I think Clarke’s explanation of the Monolith would make sense within the context of the movie. Quote: “The book explains the Monolith as portal”. As the Monolith (TMA-1) is shown, it’s preceded by the image below, showing an 8-pointed star (with a circle in the centre). The 8-pointed star (with a circle in the centre) is a recurring symbol throughout ancient cultures. It was known as the “Star of Inanna” (the Sumerian goddess), the symbol of Shamash, the Ghassulian Star, and can be seen in ancient art-work; including the Tablet of Shamash and Akkadian Cylinder Seals. We know that the Saturn Polar Configuration created an 8-pointed star and was associated with a worm-hole. This would make sense in the context of the Monolith which is seen as a gateway or worm-hole.
We are then introduced to HAL, Bowman and Frank.
According to some, such as James Jordan, Space Odyssey has Gnostic overtones. He says: “Gnostics had a term for our capacity to model reality: HAL. This Coptic word means simulation. The Gnostic concept of HAL is close to what we today understand as virtual reality”. According to Gnostic researcher John Lash: “Using the Coptic word HAL: Simulation, Gnostic cosmological text explains that the heaven of the Demiurge is a virtual cosmos, a virtual reality world”. Some have suggested that HAL could have been a representation of the Gnostic Demiurge. The Gnostic texts describe the Archons and Demiurge (Lord Archon) as inorganic beings that have created a virtual reality in which humans are imprisoned. In some respects, HAL is comparable to the Gnostic Demiurge. Like the Demiurge, HAL traps Bowman in an artifical envrionment while impeding transcendence and his disembodiment makes him resemble God whose ubiquity is conveyed through voice alone, as he exercises omnipresent control over Bowman’s surroundings. The ship also looks like a ball-and-chain (possibly symbolizing their enslavement to HAL) and as blogger Rob Ager notes: “Frank runs in circles like a mouse trapped in a technological wheel”.
Like the Gnostic belief-system, Space Odyssey could be suggesting that Bowman is perhaps trapped in a realm of illusion. This idea may seem far-fetched, but there are some scenes that may hint at the idea. For example, in the image below, in the reflection, Bowman spins around inside the HAL-shaped Monolith, suggesting he is possibly trapped within HAL. HAL is a Coptic word for simulation — akin to virtual reality. Thus Bowman may be trapped within the simulation.
At one point in Space Odyssey, we see Frank and HAL participating in a recreational game of chess. Some have suggested that Kubrick was a Freemason and the chess checkerboard is a staple on Tracing Boards. There are various interpretations about what it represents. My overall impression is that it represents the intellectual outmaneuvering of those who seek to impede transcendence out of Malkuth. Anyway, HAL demonstrates his intellectual superiority over Frank by beating him (albeit disingenuously) at chess.
After their amicable game of chess, HAL erroneously predicts a fault in the communications of AE-35 and learns that Frank and Bowman are planning to disconnect him. So HAL’s entirely proportionate response is to blow Frank out the airlock and trap Bowman outside the ship as he systematically murders the crew in their hibernation pods. The general view is that HAL was programmed to lie to Bowman and Frank and this engendered a “malfunctioning” in his behaviour. This explanation has never sat comfortably with me, especially given HAL’s distress (and human-like psychological breakdown) as Bowman was disconnecting him, which to me suggests that HAL had strong self-preservation instincts and trapping Bowman outside the ship in my view was at least somewhat motivated by his fear of disconnection. Parallels could perhaps even be drawn to android David in Alien Covenant who develops a sort of God-complex and sees himself as superior to humans. When HAL tricks Frank into thinking he’s been checkmated, HAL is acknowledging his superiority over humans and at the same time almost testing their fallibility. Once HAL has completed his psychological report, and better understands human behaviour, he is then in a position where he can effectively manipulate Bowman and Frank, and take control. HAL was aware of Bowman’s sentimentality, after seeing his sketches of the crew and so may have expected Bowman to go and retrieve Frank’s body, leaving the ship under his control. Therefore, HAL’s seemingly innocuous ‘psychological report’ could have really been about probing for weak points that he could exploit to take control of the ship.
After HAL erroneously predicts a fault in the communications of AE-35, HAL then tricks Frank into entering the EVA pod. Below is the EVA pod that Frank entered after HAL predicts a fault in the communications of AE-35. Frank enters the pod due to HAL’s probably intentional erroneous prediction in the fault of AE-35. Bowman then enters into a second pod (EVA) to recover Frank’s deceased body, who HAL presumably killed — although it’s not shown, just implied — upon which Bowman exited the pod and disconnected HAL. Possible parallels could be drawn with Isis, Osiris, Horus and Set (or Eve, Adam, Abel and Cain), with HAL playing the role of Set; essentially tricking Frank into entering the pod (or “box” in Egyptian mythology). I think of the Eva pod as representing Isis, Frank as Osiris, Bowman as Horus, and HAL as representing Set. The Eva pod as Isis retrieves Osiris’ (Frank’s) body and births Horus (Bowman) who overcomes Set (HAL).
When Bowman entered the Monolith portal its alignment corresponded to the position of Daath in the Kabbalah Tree. ‘Daath’ is the “doorway of God [or the Demiurge] and we know that this is true because the first letter of Daath is Daleth [ד] which symbolizes a door. Daleth is the 4th letter of the Hebrew alphabet and carries the value of the number four — it is also the symbol of the doorway. It is through the “Tree of Knowledge” that Adam and Eve were expelled from Eden. They went through the Door of Daath”. When Bowman entered the TMA-2 Monolith (that was originally by Saturn) he was propelled through the stargate and passes by a kaleidoscope of technical images.
According to Aleister Crowley’s ‘Book of Thoth’, Saturn corresponds to Daath on the Tree of Life. Clifford Bias, a prominent psychic, says in his book ‘Qabalah: Western Mystery Tradition’: “Daath is the Sphere of Saturn”. Esoterically, Daath is known as ‘Rainbow Bridge’ and allows for the highest awareness in human consciousness as it is. According to Gareth Knight, who is a major occult practitioner, the symbols of the Sephirah Daath are the Cosmic Mountain and Janus. The Cosmic Mountain relates to that of the Rainbow Bridge which connects Heaven and Earth. This bridge links the realm of Samsara, the domain of death and rebirth, to the further realm of Nirvāna, the domain of deathlessness. In his book ‘Gnosis: The Secret of Solomon’s Temple Revealed’, Philip Gardiner, who is the best-selling author of numerous books on the mysteries, associates Daath with the Axis Mundi. The names of the Rainbow Bridge (also known as Daath) that connects the worlds and that the gods traverse when moving between dimensions are: The Cosmic Mountain, Cosmic Tree, Axis Mundi, and Bifröst Bridge.
Essentially, my overall interpretation of Space Odyssey, is that of Bowman releasing himself from the VR-prison (represented by HAL and Monolith, which was a representation of the cube) by way of the Saturn Polar Configuration. Like Neo in The Matrix, Bowman only transcends the illusory reality after he has deactivated and disconnected himself from HAL — the simulation. At the very end of Space Odyssey, as Bowman shattered the wine glass in the hotel-suite and the camera broke the fourth-wall, this may have represented Bowman shattering the 4-dimensions of time and space. The Saturn Ship was represented by an 8-spoked wheel, associated with transcending the constraints of time and space. When Bowman left the hotel-suite back through the Monolith (between the Masonic pillars) he was transformed into the Star Child and similar to the Egyptians who sailed in the Saturn Ship, Bowman was ‘reborn’ — just as the Saturn Ship is reborn and resurrected as Khepri. This is what the Saturn Ship possibly does. It overcomes the constraints of time and space and those within overcome the reset (or loop) represented by Ningishzida’s Caduceus of the Saturn Ship unravelling the double-helix, symbolically freeing oneself from the evolutionarily-restrictive loop.
The meticulous symbolism in Space Odyssey conveys another dimension of meaning that transcends space exploration to become a commentary on ascending out from an illusory reality. However, Kubrick specifies nothing, and everything is communicated through subtle symbols and mysterious enigmas. Kubrick is conveying a radical message of evolution and my belief is that this evolution is associated with the Saturn Polar Configuration. It’s been said that one piece of music from the movie, ‘Thus Spoke Zarathustra’, was selected at least partially for it’s relationship to Nietzsche’s concept of the “Übermensch“. The Saturn Polar Configuration is associated with Heaven, resurrection, and rebirth, and this might have relevance in relation to the idea of the Übermensch and Bowman’s rebirth as the Star Child. Finally, above is art-work from Space Odyssey. The Monolith is shaped like a keyhole, which parallels the keyhole-shaped alignment in the Saturn Polar Configuration.
THE NEW YORK PILLAR OF LIGHT
For anyone who thinks that the idea of Bowman ascending through the Saturn Polar Configuration (which some say was a worm-hole) is outlandish, take a look here. It shows the Twin Towers (before they were demolished) and when viewed at specific times you could see a pillar of light (represented by the reflection on the water) rising between two pillars. This is how the Cosmic Mountain to the Saturn Ship is depicted. The Pillar of Light (Cosmic Mountain) rises between two pillars, which are represented by the crescent of Saturn. Between the towers a building called the Millennium Hilton Hotel was constructed and this building was designed after the Monolith in Space Odyssey. Just as Bowman enters the Monolith between two pillars, the image of the light rising between the towers is a visual representation of the same thing: Ascension through Saturn. This is probably why the Monolith stargate in Space Odyssey is located near Saturn (originally). The Monolith represents a worm-hole out of Malkuth.
THE DARK CRYSTAL
As explained at the very start of this article, the celestial alignment of Saturn, Venus, and Mars was mostly characterized by an 8-spoked wheel (or 8-pointed star), but at different phases during this celestial alignment — the 8-spoked wheel was not present and instead the configuration of Saturn, Venus, and Mars formed a triangle, as seen in the image below, taken from Talbott’s ‘Discourses on an Alien Sky’.
Quote from the Electric Universe:
❝According to the Saturn Polar Configuration Theory, our ancestors lived in a very different world with the heavens in a very different configuration. The planets were not far away, but overhead, in conjunction. These planets were Saturn, Venus, and Mars. Saturn was the primary orb❞
In the movie Dark Crystal, there’s character called Aughra. She is an oracle and astronomer and has an observatory made from complex machinery that predicts the movements of heavenly bodies. She tells the protagonist of the movie, Jen, that a “great conjunction will be coming” and she specifically mentions that this conjunction involves three stars. When Jen questions her as to what the “great conjunction” is, she cryptically puts a triangle over her eye.
The celestial conjunction that Talbott describes involves three bodies (Saturn, Venus, and Mars) known by the ancients as “wandering stars” and at one point during their configuration they formed a triangle of light, as seen above. What are the chances that in the Dark Crystal the character Aughra would also mention a celestial conjunction of three stars as she cryptically puts a triangle over her eye?
Aughra tells Jen that this celestial conjunction marks “the end of the world”. Towards the end of the movie we see the celestial conjunction that Aughra was talking about and it looks very similar to the celestial conjunction of Saturn, Venus, and Mars, as seen in ‘Discourses on an Alien Sky#10’, as shown here.
In the Tomb Raider (2001) movie the plot centres around a planetary conjuction linked to an artifact called the Triangle of Light, associated with the control of time (notice in the illustration above from Talbott the triangle of light during the celestial alignment of Saturn, Venus, and Mars).
The planetary alignment that Talbott refers to that occurred in ancient times included three planets; Saturn, Venus, and Mars. These planets partially eclipsed each other and they can be associated with a black-hole or worm-hole as explained in the “Saturn Stargate” section above. Interestingly, in the Fifth Element movie, a character talks about an alignment of three planets, saying: “When the three planets eclipse, the black-hole, like a door, is opened. Evil comes, sowing terror and chaos”.
My interpretation of Ridley Scott’s Prometheus is somewhat similar to Space Odyssey in that at it’s heart, I think it’s essentially about accessing the Saturn Ship. The place that the crew members are travelling to in Prometheus is called LV-223 (which is world orbiting a Saturn-like body). As they’re travelling to LV-223, we some interesting symbolism. Charlie pulls out a cube, and as he holds it, he says: “Let me show you why you’re here”. The cube produces a holographic projection of star-maps that contain the winged-disc, and as Charlie and Elizabeth explain the mission to the crew, we see the Orion constellation behind them both. The leaked draft-script of Prometheus references CERN and antimatter in relation to how the Prometheus vessel is able to exceed light-speed.
When David accesses the Juggernaut ship, I think he’s accessing the Saturn Ship. The design of the ship is similar to the Ouroboros (click here) and as he activates an 8-spoked wheel he sees a holographic projection of the universe (though not stated, the ship is presumably able to time-travel).
The star-ship from Passengers is transporting people in hibernation pods to Homestead II, which is sort of like Antichthon. The image below is part of the star-ship and somewhat similar to CERN in appearance. The CERN-like image appears just before they overcome the rouge A.I.
In the hit TV series Mr Robot, we see an exact replica of the Large Hadron Collider at CERN (as shown in the image below). When the VLHC is shown at the start of Season 3, we overhear scientists talking about parallel worlds and other dimensions. The machine was created by the character White Rose and possibly has the ability to manipulate time and access extra dimensions.
The movie is called ‘Saturn’ and it was created by Eric Esau. The movie is described as follows: “When a mysterious planet appears in the sky, a young father must choose between the life he loves and an ancient call to save the world”. The description is accompanied by the image below. Sounds and looks like the Electric Universe theory to me. Considering the Electric Universe theory is about Saturn appearing in the sky, I think this movie could be potentially very revealing.
BILL AND TED FACE THE MUSIC
In this film, Saturn appears in the sky as a breakdown of reality occurs. We also see an alignment of planets reminiscent of 2001: Space Odyessy.
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