SATURN, CERN, AND THE CUBE OF ILLUSION
By Richard Evans
This article is only a small snippet of the full article with the same name posted on Google blogger in 2017.
The theories that I’ll be proposing in this article are controversial and deal with CERN, Saturn, the Saturn Ship or Sun, and inter-dimensional portals. Concepts like “the Saturn Sun”, “Cosmic Mountain”, and “the Saturn cube” will probably seem bewildering to most people and so I would suggest reading and watching explanatory web-pages and videos, where the job is already done (referenced in the article). This article suggests that CERN may be a recreation of the Tower of Babel. I have kept the writing intentionally short and to the point and its split up into sections. I’ll be referencing movies in this article because I think they contain more truth than people realize.
But before getting into this, I’d like to declare my position on space. I don’t subscribe to the conventional view of space or planets according to government agencies like NASA. To my mind, NASA is part of the paraphernalia that the elites are using for the production of stage-managed ‘space exploration’.
THE SATURN MYTH
In the book ‘The Saturn Myth’ (inspired by the work of Immanuel Velikovsky) David Talbott explores “celestial events that shaped early cultures”. Talbott argues that the “Great God” or “Universal Monarch” of the ancients was not the Sun — but Saturn — which once hung ominously over Earth and “visually dominated the skies”. There was once a period when Saturn was closer to Earth and fixed stationary in the sky. Based on ancient accounts throughout the world, Talbott describes a period of “great upheaval” in celestial bodies, when Saturn, Venus and Mars descended, and aligned — various catastrophes ensued, and a “Cosmic Mars Mountain” eventually formed, seemingly connecting to Saturn, as though it were a pathway of sorts; see various illustrations here, here and here.
During this time of celestial upheaval, Saturn and the other bodies that were aligned with it went through various configurations (see the documentary series ‘Discourses on an Alien Sky’) and at one point even formed a pupil in a triangle which Talbott associates with the All-Seeing-Eye. However, the configuration was mostly characterized by an 8-spoked wheel. Here is an image of Saturn holding an 8-spoked wheel (as shown in ‘Discourses on an Alien Sky’). The crescent under Saturn was morphed and anthropomorphized. The Saturn-crescent was morphed into wings — with the solar disc (Ra or Saturn) placed in the centre, such as with the Egyptian winged Kheper, the Assyrian winged Asshur, or the 8-spoked wheel of Shamash (Saturn). Talbott explains that the Sun God of the archaic day was Shamash, Sol, Ra (Re) and Helios, which he says were identified as Saturn.
Quote from The Saturn Myth:
❝Of the crescent in the primary images and ancient sources present the basic forms: The horns of the bull-god or the uplifted arms of the heaven-sustaining giant [such as Atlas]. The outstretched wings of the mother goddess (or winged god). But these same wings, or arms, constitute the great god’s sailing vessel [Saturn Ship] which in turn is depicted as two shining horns❞
Click here to see a picture of the Boat of Ra. Notice that the Boat of Ra (i.e. the Saturn Ship) looks similar to traditional depictions of worm-holes. That may seem like a rather ridiculous and left-field thing to say, but it’ll become increasingly pertinent.
Quote from Tracy Twyman explaining the Boat of Ra (i.e. the Saturn Ship):
❝Puzzled by this inconsistency, I was at a loss as to how to finish this article, until coming across, through a weird twist of fate, an article written by David Talbott for Aeon Magazine called “The Ship of Heaven”. I was shocked to discover that yet another author had linked Saturn, not only with the Black Sun, but with the Boat of Ra as well. According to Talbott, the sky once looked much different than it does now. He proposes a pre-diluvian cosmology in which the dominant figure in the night sky was the planet Saturn. As this and other planets moved closer to Earth, a reflection from the light of Saturn created the appearance of a crescent of light revolving around him. This, according to Talbott, became interpreted by the ancients as “the Ship of Heaven”, and this, he says, was the real Boat of Ra❞
As Talbott points out in ‘The Saturn Myth’, the fundamental themes of Saturn imagery include the Saturn Ship, the uplifted arms of the heaven-sustaining giant, the All-Seeing-Eye, and the two shining horns, which were all based on the same celestial alignment in the sky, as shown in the image above. In addition, the Saturn alignment was associated with the winged-disc symbol which was often positioned on top of the Cosmic Tree (representing the Cosmic Mountain) or beside a ship. Ra (Saturn) was perpetually resurrected in the form of the Scarab beetle. He sailed on primordial waters and was resurrected in a continuous cycle of death and rebirth.
Here the Saturn-crescent is represented by the head-dress upon the ‘outstretched wings of the goddess’. The crescent was also represented by the Egyptian winged Phoenix, here, which the eagle on the Dollar Bill is inspired by.
Tracy Twyman explains what she thinks the Saturn Ship was:
❝The [Saturn Ship] can be thought of as a travelling vessel. The person places their self within the circle and then they can travel to unseen realms. The world around them is transformed — but they retain their own little bit of their home-reality within the circle. In this sense, it’s similar to a magic carpet. This, I believe, is what Noah’s Ark [or Ship of Saturn] was. It was a hermetically-sealed vessel that allowed passengers to be raised up to a higher dimension so that while the world transformed around them, they stayed safe within. When they exited the Ark, they were in a whole new world❞
THE BLACK SUN
The Black Sun is a very well-known occult and esoteric symbol. Most people are probably aware of the Black Sun because there’s a mosaic of it incorporated into the floor of the Wewelsburg Castle in Germany (as shown below). Some associate the Black Sun with Saturn. Some epithets of Saturn in ancient astrology are “Great Lord Dark Sun” and “Clothed in Black”. Saturn is referred to as “Black Star” in old Judaic beliefs and in various astronomical texts astrologers called Saturn the Sun.
The Swastika became a symbol for the Black Sun. The earliest Swastika was found in Ukraine and was dated back 12,000 years. In the documentary episode ‘Discourses on an Alien Sky#40’ David Talbott associates the Swastika symbol with the alignment of Saturn, Venus, and Mars that occurred many thousands of years ago. When Saturn, Venus, and Mars aligned, they went through various configurations and during a phase of intense discharging of light streaming out from Venus, this planetary alignment took on a spinning Swastika fashion (as shown below, from ‘Discourses on an Alien Sky’), a form that various cultures around the world recorded stylistically as the Swastika and which became the basis for the Wewelsburg Black Sun design, which can be deconstructed into three Swastikas.
Throughout this article I’ll be using the terms “Saturn Sun”, “Saturn Ship” and “Black Sun” interchangeably, because I believe they represent essentially the same thing. The Black Sun is also attributed to Aldebaran, Sirius and Alcyone, but in this article I’ll be identifying it as Saturn.
ENTITIES EMERGING FROM AN 8-SPOKED WHEEL
Quote from researcher William Henry:
❝The Mayans say that out of a [celestial] alignment comes a serpent rope [with Quetzalcoatl] riding upon it and a blessed substance the Mayans called Itz apparently spewing from it. In Mayan belief a serpent rope emerges from the centre of the galaxy — symbolized by an 8-spoked wheel. Cosmic sap oozes from this World Tree or Cosmic Cross. Though perhaps even more intriguing is the picture that developed when Mayan scholar John Major Jenkins replaced the Mayan term “serpent rope” with the appropriate modern-word “wormhole”. It is highly interesting that this ‘wormhole’ he is emerging from is an 8-rayed symbol (the galaxy) that matches the 8-rayed or 8-spoked Large Hadron Collider at CERN [which is eventually to be superseded by CERN’s Future Circular Collider]❞
CERN was created ostensibly in order to recreate the conditions of the early universe after the Big Bang as a possible means of testing the Big Bang theory, which has dominated physics since the middle of the last century. The CERN facility is basically a giant particle accelerator, housed in a twenty-odd mile long circular tunnel bored inside a Swiss mountain. Its experimental ‘test’ of the Big Bang theory has focused on the search for the elusive Higgs Boson (the ‘God particle’) because the Big Bang theorists believe that the universe could not have been created without it. However, anyone who examines the Big Bang theory honestly and in sufficient depth can see that it does not hold water and contains holes in its logic so large that a galactic supercluster could be driven through them. It is just like AGW theory but on a cosmic scale instead of a merely terrestrial one. No experimental tests at all for this are needed and so it is a wonder how this half-baked nonsense has become the holy cow of science. The ‘experimental’ tests provided by CERN are superfluous and the creation of their particle accelerator was not needed for the stated scientific purpose.
CERN’s particle accelerator’s true purpose, in my view, is to access an inter-dimensional doorway and this is not just hinted by their iconography and occult connections (as others have pointed out) but something they have suggested themselves. The director of CERN, Sergio Bertolucci, said that:
The name CERN is an abbreviation of “CERNUNNOS” — the god of the underworld, who’s mythologically similar to Osiris, Enki and Ninurta. CERN also have a Shiva statue outside the Large Hadron Collider (LHC) that symbolizes the cosmic dance of “creation and destruction” and CERN have performed a so-called dance of destruction in a video that you can watch on YouTube, called ‘Symmetry’ and another video that they exhibited is called ‘Black Rain’. Both videos are very unusual and have interesting symbolism.
CERN’s particle accelerator is essentially one ginormous electromagnetic machine:
❝All magnets on the Large Hadron Collider are electromagnets, which are 100,000 times more powerful than Earth’s magnetic shielding❞
Electromagnetism was said to be the “discharge of the creative force” — and the “unification of the electric and magnetic forces was the secret behind the productivity of nature” and “Fire was said to be hidden in magnetism whose symbols seem to have been incorporated into Masonic doctrine. Magnetism was fire called “Aesh” and electricity was water called “Majim”. The two elements were symbolized by equilateral triangles, with the fire pointing upwards and the water downwards”. Their amalgamation made the Solomon Seal.
The CERN logo appears to depict a 666:
666 represents different things to different people. The geometric qualities of the two equilateral triangles correspond to 666 and the total sum of the interior angels of the two equilateral triangles add up to 2160 — which multiplies as 6x6x6 (in numerology zeros are ignored). Also, the angular dimensions of the equilateral triangle add up to 666; when ignoring zeros. 666 might therefore be thought of as a numerological representation of the Solomon Seal. Solomon is also associated with the 666 gold talents and 666 relates to the Saturn Square which makes up the Solomon Seal (or Saturn Seal) and equates to 666 when calculated horizontally and vertically.
Interestingly, every syllable of Solomon relates to the Sun. Sol is Latin for Sun, Om is Hindu for Sun, and On is Egyptian for Sun. According to Talbott, the Sun God of the archaic day was Shamash, Ra, and Sol, identified as Saturn. Some have suggested that the Solomon Seal could be connected with Orion, which in its basic form is two interlocking triangles, just like see with the Solomon Seal. The Solomon Seal appears in this Sumerian cylinder seal with Ninurta, who in the astral-theological system was associated with Saturn. In ancient times, Saturn represented Osiris, who represented Orion for the Egyptians. So, there probably is a connection between Orion and the Solomon Seal (Orion could possibly even be the Solomon Seal). Author Wayne Herschel associates the Key of Solomon with Orion and interestingly the Book of Job says “Can you loosen Orion’s belt?” as though Orion were a seal holding something in.
The Solomon Seal seems to have been intentionally included in the pyramid and All-Seeing-Eye design of the U.S. Dollar Bill, shown below, which some have argued could be a representation of the Tower of Babel. According to Talbott in ‘The Saturn Myth’, the All-Seeing-Eye is a symbol of Saturn. Quote: “Saturn wears the band as a golden girdle, collar or crown. He dwells in it as the pupil of the All-Seeing-Eye”.
Talbott associates the alignment of Saturn, Venus and Mars with the Tower of Babel and Mount Olympus (‘Discourses on an Alien Sky#19’) and during this celestial alignment they formed an 8-spoked wheel and triangle, as shown below, taken from the documentary series ‘Discourses on an Alien Sky’. This is likely the inspiration for the All-Seeing-Eye on the Dollar.
Interestingly, when investigating CERN, researcher Goro Adachi discovered that CERN’s LHC machine appears to mirror celestial bodies (see the article “CERN: The Orion StarGate: Decoding The Large Hadron Collider”). The bodies that CERN’s LHC appear to mirror include Venus, the Moon and Orion. How smashing particles together and mirroring celestial bodies could create an inter-dimensional portal, as CERN themselves have alluded to, is beyond my ken, but no doubt it’s all perfectly straightforward according to the CERN-people’s theory.
Quote from the article:
❝In this article, the reader will be shown a whole new system of information mysteriously encoded in the layout of the Large Hadron Collider (LHC) that’s unlike anything they may have seen before. The CERN LHC, which some compare to the Tower of Babel is a “Gateway of God” and presumably only the initiates know the encoded secrets❞
Orion (especially Orion’s Belt) appears to have been mirrored throughout the ancient world:
❝The Orion constellation is a pattern of stars repeated in monuments throughout the ancient world, from Egypt to Mexico. The constellation has been the centre of the skies for our ancestors, but why is the Orion constellation so important to ancient civilizations? Why are these monuments, such as the Pyramids of Egypt, mapped in such a way that these constructions mimic the skies? Orion, more than a constellation, it’s a global phenomena❞
Various researchers, such as William Henry and Anthony Patch have suggested that CERN are attempting to recreate the Tower of Babel. The Cosmic Mountain (which David Talbott has associated with the Tower of Babel and Mount Olympus) was also represented by Atlas (see ‘Discourses on an Alien Sky#13’). In Greek mythology, Atlas bared the weight of the heavens on his shoulders. CERN refers to its LHC 8-spoked wheel as “ATLAS” which may hint at their real objective.
Below on the bottom left is the symbol of Sun God Shamash (Saturn) in Sumero-Mesopotamia or Inanna represented by an 8-spoked wheel. CERN displays the same Saturn symbol in some of their images:
Finally, below is an image from CERN’s LHC showing Alice in Wonderland — a nod to inter-dimensional travel.
❝CERN’s logo for the ALICE project, showing the portal underneath a blue arch❞
In the Bible, we are told that the Tower of Babel was constructed in a place called Shinar. Shinar means “land of two rivers”. We would therefore look for Shinar in a territory that includes two rivers. Coincidentally, in Geneva (where CERN resides) there are two large rivers that converge.
ANGELS AND DEMONS: THE MOVIE THAT FEATURES CERN
Angels and Demons was filmed inside CERN. It starts off with CERN initiating the Large Hadron Collider and smashing particles which produces antimatter. The antimatter from CERN is stolen and planned to be used as a bomb, which I think is just a plot-device to serve as an excuse for the scene explained below. The antimatter is eventually found by McKenna who seizes the unstable antimatter (which is about to explode) and uses a choper to fly over the Vatican Courtyard and jumps out as it explodes. The antimatter from CERN explodes above the 8-spoked ‘Sun Wheel’ (within a keyhole) at the Vatican Courtyard. The Vatican Courtyard Sun Wheel is modelled on the symbol of Shamash — it even has one more circle inside of it, just like the symbol of Shamash. This scene from Angels and Demons, in my view, essentially depicts CERN tearing the veil and accessing the Cosmic Mountain to the Saturn Ship that Talbott associates with the Tower of Babel.
Quote from the ‘Ancient Alien Theory’ book:
❝The first person to refer to the Higgs Boson as the “God particle” was Noble-Prize winning physicist Leon Lederman who has likened the use of the Large Hadron Collider to the building of the Tower of Babel to reach the realm of God❞
The possibility the Large Hadron Collider at CERN could be used as a means to open up an inter-dimensional doorway has no doubt been the inspiration behind the various TV references which explore the same themes. For example, in the movie Spider Man Into the Spider-Verse, a CERN-like particle collider can open portals to other dimensions. In the TV series Steins Gate, through the means of Kerr black-holes, the Large Hadron Collider at CERN (SERN) is used to travel in time, and in the movie Cloverfield: Paradox, a particle accelerator tears a hole in the fabric of space and time, opening up a portal. Meanwhile, in the video-game Shin Megami Tensei IV, a particle accelerator called Yamato Perpetual Reactor opens portals to other worlds, and in the video-game Another World, the player works with a particle accelerator which accidentally teleports him to another dimension. In the TV series Mr Robot, there is a very overt CERN-reference; see here. The machine in that link was created by the character Whiterose and is referred to as a “VLHC” (Very Large Hadron Collider) and is associated with alternate dimensions, time-manipulation and resurrection.
THE SATURN STARGATE
What has become known popularly as the “Saturn Stargate” is essentially a planetary conjunction that was visible in the sky thousands of years ago, as the planets Saturn, Venus and Mars came together, culminating in a worm-hole. Based on the work of Immanuel Velikovsky and ancient accounts throughout the world, in the 1980s, David Talbott suggested that thousands of years ago the planets underwent great upheavel. As Saturn, Venus and Mars travelled across the sky, they descended and aligned overhead Earth, in a spectacular astronomical event now dubbed the “Electric Universe” theory or the “Saturn Polar Configuration” theory. As they were aligned overhead Earth something remarkable happened. Mars descended and formed a mountain or pathway to Saturn and Venus. You can see various illustrations of this celestial alignment in the image here. According to Talbott, this celestial alignment is where the stories of the Tower of Babel come from which was the “Gateway of God” (see his documentary series ‘Discourses on an Alien Sky’ for reference). In this interpretation, we can therefore think of the Saturn alignment (which was characterized by an 8-spoked wheel or 8-pointed star) as essentially a gateway into heaven.
❝Wherever archaeologists discovered remains of the early Sumerian civilizations the symbol of the “Gate of the Gods” was prominently displayed. The Sumerians depicted this gate as an 8-pointed star❞
There’s a recurring theme in media of inter-dimensional travel and 8-spoked wheels, as shown here. So, why are 8-spoked wheels associated with inter-dimensional travel? We know that CERN has an 8-spoked wheel and have said they could open doorways to other dimensions and there are also accounts from the Mayan civilization of Quetzalcoatl emerging from an 8-spoked wheel as though it were a worm-hole as suggested by John Jenkins. The worm-hole from the Stargate movie is probably the most well-known and it’s been re-used elsewhere. It’s been suggested that some of the 8-spoked portals in the link above may be inspired by CERN’s 8-spoked wheel. However, I think they’re probably representing the 8-spoked Saturn Sun, which I think is a veritable worm-hole; see the obvious correspondence in the image here.
In his book ‘The Saturn Myth’, David Talbott explains what the Cosmic Mountain to Saturn ultimately was, which, as he says, was essentially a gateway, saying:
❝These principles permit us to see that what conventional interpretations must regard as contradictory aspects of the [Cosmic] Mountain actually reveal a harmonious idea. The subject is the [Cosmic] Mountain at whose summit shines the stationary sun [Saturn]. The god “comes out” and “goes in” on the mountaintop through the “gate”, but he accomplishes this without moving from his abode❞
The movie Stargate was based on opening a portal to Ra (who David Talbott identifies as Saturn) and archaeologist Daniel Jackson discovers that Orion is one of the keys to accessing the worm-hole. With that in mind, compare the images below:
1) The Cosmic Mountain to the 8-spoked Saturn Sun or Ship from David Talbott (which Talbott associates with Mount Olympus and the Tower of Babel, inter alia). The symbol is repeated throughout ancient civilizations (see Talbott’s book ‘The Saturn Myth’ and his video documentaries) and notice that it’s in the shape of a keyhole. See here for an ancient Egyptian image of the Saturn Ship which is basically a keyhole 2) The 8-spoked worm-hole from the Stargate movie. In this movie the worm-hole leads to Ra and Ra is identified as Saturn; notice again it’s in the shape of a keyhole with the walkway representing the Cosmic Mountain 3) An aerial photo of the Vatican Courtyard (St. Peter’s Square) and once again it’s composed of 8-spokes and is in the shape of a keyhole. The Gateway of God was apparently represented by an 8-spoked symbol, known as the “Cross of the Ilu” which is similar to the 8-spoked configuration of Saturn, Venus, and Mars that Talbott associates with the Tower of Babel.
The 8-spoked (Saturn) Sun Wheel in St. Peter’s Square is modelled on the symbol of Shamash (identified as Saturn) and was featured prominently in the movie Angels and Demons (which was based on CERN) and CERN displays Saturn symbolism in their artwork and have admitted they could access doors to other dimensions. Researcher Anthony Patch suggests that CERN is attempting to open a worm-hole and associates this worm-hole with the Cosmic Mountain to the Saturn Sun. He refers to the Cosmic Mountain as a “plasma conduit”. The term “Saturn Sun” somewhat sounds like a contradiction in terms. However, we are not talking about a Sun in the sense of a giant ball of gas, but rather a singularity or worm-hole. The prime movers of CERN’s Large Hadron Collider project (and also the Future Circular Collider) possibly are trying to access an inter-dimensional gateway and this is illustrated straightforwardly by the images and correlations above.
Quote from David Icke’s book ‘Everything You Need to Know But Have Never Been Told’:
❝I have said in previous books that the Large Hadron Collider, the world’s most powerful particle accelerator at the European Organization for Nuclear Research (CERN) in Switzerland, is in the process of creating portals into other realities. I say this includes a connection with Saturn through which energies and entities come into our reality through a Saturn Stargate or portal to other dimensions❞
The Cosmic Mountain was called “Akhet” which translates to “Mountain of Light”. Quote from Talbott from the ‘Saturn Myth’ book: “Saturn once sat, Sun-like, on the top of a pillar or pedestal of light”. There seems to be various illustrations of this pillar of light in movies. It would be easy to pass it off as a gimmick, with movies just aping off one another — but I believe there’s something more to it. In TV and movies, the Pillar of Light is often represented as a portal that accesses another dimension. In the movie Tron: Legacy, for example, the protagonists escape the VR-dreamworld through a pillar of light in a keyhole symbol, and in the movie Ghostbusters, a pillar of light between two Masonic pillars leads the way to another dimension. See some examples here.
In the video-game Observation, the protagonist travels into the Saturn hexagon and finds themselves in a strange place where multiple universes converge. In the game, Saturn acts as a sort of portal or worm-hole. Interestingly, scientist and author Dennis McKenna theorizes that the hexagon on Saturn could be the result of a “gravitationally stabilized worm-hole” (assuming the alleged photos of Saturn’s hexagon are even legit; they could be fake).
❝According to Richard Hoagland, the Saturn hexagon is caused by hyperdimensional physics and the hexagon goes down to the core of Saturn and is caused by energy from the core which comes from another dimension❞
The Saturn Ship may not be something one resides within, but rather a worm-hole that enables one to travel to certain points in the space-time continuum instantaneously — as suggested by William Henry (who refers to it as the “Osiris Device”). This is how the Black Sun is often shown. In pop-culture, the Black Sun is often shown as a gateway. For example, in the TV show Space: 1999, there was an episode called the “Black Sun”. When the characters enter the Black Sun, they have a surreal, time-bending experience and are propelled a million light years away. In the Wolfenstein video-game, the Black Sun is another dimension and the Nazis attempt to uncover secrets of the Thule people; an ancient civilization that discovered how to enter the “Black Sun Dimension” through portals. In the video-game Remnant: From The Ashes, the Black Sun is portrayed as a gateway. Meanwhile, in the movie Zathura, the protagonist enters a black-hole near Saturn and travels back in time. In the movie Interstellar, Cooper enters a worm-hole near Saturn which serves as a shortcut to a distant region of space and In Planet of the Apes (2001) the electromagnetic worm-hole that Leo uses to time-travel is located near Saturn. The Black (Saturn) Sun (with the characteristic circumpunct) can also be seen on Freemason Tracing Boards, as shown here, depicting it as a gateway or worm-hole. This is what the Black (Saturn) Sun possibly is; a veritable worm-hole.
Quote from William Henry:
❝In the 23rd century B.C. the Sumerian king, Nimrod, built a ladder (actually a gate) that reached from Babylon into the stars. Yahweh got nervous about humankind ‘making a Name or Renown’ for itself by building the gate. If successful says the Book of Genesis, “nothing we can imagine would be impossible”. Nimrod was known as Osiris, the Egyptian god of resurrection. Both are associated with towers or stairways to heaven. This point is key. Inside Sety’s 14th century B.C. temple is the depiction of Osiris as the pillar or tower. The Egyptians called this Osiris pillar the Ta-Wer or the “bond between heaven and Earth”. Sounds like Babel. On the opposite wall of the Osiris Chapel is the Osiris Device, with the ship of eternity, upon which the king shall sail into eternity as a star. The ship resembles a modern drawing of a worm-hole. Pay particular attention to Sety, who appears to have transformed his body into the Osiris Device or is coming out of it. This is a wonderful moment of transformation and resurrection❞
Quote from Ancient Egyptian Mysteries:
❝The solar boat is a vehicle in Egyptian mysteries. It’s called the “Ship of Eternity” [or Saturn Ship]. The design of the boat is similar to a quantum worm-hole, with lotus vortex openings❞
Interestingly, and probably not coincidentally, the Black Sun and Saturn Eye are similar to depictions of black-holes; see here. A worm-hole is able to connect very large distances and even different points in time. Quote: “Another way to imagine worm-holes is to take a sheet of paper and draw two distant points on one side of the paper — the sheet of paper represents a plane in the space-time continuum — and the points represent a distance to be travelled. However, theoretically, a worm-hole could connect the two points by folding that plane, so the points were touching. In this way, it would be much easier to traverse the distance since the two points are now touching”.
The image below is a comparison between the Freemason Square and Compass (on the left), the Stargate logo (in the centre) and the Cosmic Mountain to Saturn and Venus (on the right). The design of the Square and Compass corresponds to the configuration of Saturn, Venus, and the Cosmic Mountain, as seen in the documentary series ‘Discourses on an Alien Sky’. In this interpretation, the circle at the apex of the Compass represents the ‘Blazing Star’ and the triangular appearance of the Compass itself represents the Cosmic Mountain or pathway.
Below is an interesting passage from the book ‘The Mother’s Truth’:
❝The Council of 9 is the same that guard the stargate around Saturn. This has been discussed to some extent in the “Ra Material”. After the Deluge, 11,000 BC, Enki took over the Saturn Stargate, overthrew the council and set up his own Council of 9❞
SIMILAR SYMBOLSIM TO THE IMAGERY ABOVE
There are various pop-culture references to the O and A (or △) symbols. The O and A symbols are often overlaid, with A (or △) appearing within the O symbol. Some of these references are shown below. The symbol, in my view, is derived from the alignment of the Cosmic Mountain to Saturn, which during its various configurations made a △ shape accompanied by a circle (as Saturn or Venus) with the △ often appearing below the circle, as shown in the image here, taken from the documentary series ‘Discourses on an Alien Sky’. These symbols are seen throughout ancient civilizations, such as the Phoenician Tanit symbol here and Egyptian Menat here. In Talbott’s book ‘The Saturn Myth’, he describes the symbol here. The symbol is keyhole shaped and I believe is an actual stargate, as explained in the “Saturn Stargate” section above.
THE LATIN CROSS POSSIBLY INSPIRED BY THE SATURN STARGATE
The artwork from the movie Stargate and the portal itself was likely inspired by the Saturn Sun, as can be appreciated by the image here. The Stargate artwork and the Cosmic Mountain to the Saturn Sun (Saturn Stargate) created a cross in the sky during its configurations which resembles the Latin cross, as shown here. If this correspondence is valid and the Latin cross is based on the configuration of the Saturn Stargate, this raises some interesting questions about Jesus and what it means when they say he “died on the cross”.
THE 8-POINTED STAR IN MOVIES AND TV
There are lots of examples of movies and TV incorporating an 8-pointed star and some are shown below. Once you become aware of this you’ll start to see it everywhere. It’s my opinion that this Saturn symbol (associated with Shamash and Inanna) is a worm-hole or stargate as explained in the “Saturn Stargate” section above. The 8-pointed star is often accompanied by a circle in its centre as shown by Talbott with Saturn, Venus and Mars; here. The 8-pointed star is a Freemason symbol and is seen on some Freemason buildings; see here.
SATURN AND THE BLACK CUBE
Over the last few years, I’ve been very interested in the mysterious symbol ubiquitously known simply as the “black cube”. For the uninitiated, the black cube is apparently a symbol of Saturn and it often pops up in important locations throughout the world. To quote Jordan Maxwell from the book ‘Matrix of Power’: “The symbol that was used in religious context with Saturn was the black cube”. There are monuments of the black cube in various sites throughout the world and it’s often shown in movies, music videos and other media. Unfortunately, there’s not a lot of information about it and so it’s very much open to interpretation about what it represents, although many people suggest that it represents the material world. In the book ‘The Dark Path’, Isaac Weishaupt explains the black Saturn cube as “a symbol for the Gnostic representation of Saturnian materialism and the “false illusion” of our world”, while author Tracy Twyman explains the Saturn cube as a tesseract and the real cosmological model of the universe.
In some ancient cosmologies, Heaven is represented as a circle (or sphere) and the Earth is represented by the square (or cube). This cosmography (in China) is known as “gai tian”. Heaven is traditionally represented in 2-dimensions by the circle (3-dimensions by the sphere) and the Earth is represented by the square (or 3-dimensions by the cube). Here, Heaven refers to the universal principle of consciousness and Earth (as the cube) refers primarily to the 3-dimensional spatial matrix where the individual impulses of the spirit are given apparent material forms. In this traditional ancient conception, the symbol of the cube represents the reality we experience as the material world. This philosophy has also been incorporated into Masonry. In Masonic doctrine, the circular Compass (in the Square and Compass) represents Heaven and ‘higher consciousness’ with the Square representing Earth and ‘lower consciousness’.
❝According to Pythagoras, the position of each body in the universe was determined by the essential dignity of that body. The popular concept of his day was that the Earth occupied the centre of the solar system; that the planets, including the Sun and Moon, moved about the Earth; and that the Earth itself was flat and square❞
Manly P. Hall
The cube represents the Earth in Pythagorean tradition and in Egypt the Pharaoh is often depicted sitting on a cubic throne which is suggested to be a representation of the Earth. In some instances, the Egyptian Sun God is shown guiding the human soul from the cube “back to their place in the starry sky” (see the book ‘Secrets of Ancient America’). In Tibetan Buddhism, the Earth is also represented by a cube, namely a yellow cube (see the book ‘The Handbook of Tibetan Buddhist Symbols’).
In pop-culture, the cube is often portrayed as a prison that humans are trapped inside, sometimes associated with virtual reality and time loops. For example, in the movie 2036: Origin Unknown, the protagonist finds themselves trapped in a black cube experiencing a virtual reality time loop, until they eventually escape. They only escape after passing a Turing Test and becoming ‘more human’. Similarly, in the movie Infinity Chamber, the protagonist finds themselves trapped in a room (which has been designed to resemble a black cube) and they are also trapped in a time loop while experiencing a virtual reality. This idea seems to be reinforced by other TV shows and movies. In the TV show Sherwood, the black cube is portrayed as a prison that humans reside within which is similar to the cubed-prison in the Marvel Universe here, the cubed-prison called the Glade in the Maze Runner, the cubed-prison in the movie Immortals, and of course the prison in Vincenzo’s Cube movies, where the protagonists must negotiate a maze-prison of interconnected rooms, with the collection of rooms itself being a giant cube.
Another movie that features a cube in similar context is Christopher Nolan’s Interstellar, which includes a hypercube that humans unknowlingly reside within. In this movie, the protagonist, Joseph Cooper, enters a worm-hole near Saturn and finds himself viewing the Earth from a higher dimension in a tesseract (which is a 4-dimensional cube) and the inhabitants of Earth are residing within this cube and unaware of Cooper’s existence in the higher dimension. Cooper eventually escapes the cube (near Saturn) and is transported to a new environment where reality is radically different to Earth. In this place, he sees Monolith-TVs and within these TVs are the people on Earth that he left behind. In 2001: Space Odyssey, the Monolith was originally designed as a cube. One could interpret this as Cooper escaping the Saturn cube and then viewing those on Earth still trapped within it.
The black cube is also associated with the horned-deity Baphomet. In 1856, occultist Éliphas Lévi drew the first depiction of Baphomet that took the form of a hermaphrodite half-human-half-goat which was adopted by the 1910 Devil Tarot Card. Éliphas’s drawing showed Baphomet perched on top of a black cube. In the Éliphas-inspired 1910 Devil Tarot Card, a man and woman are shown chained to a black cube with Baphomet authoritatively perched on top (see a modern version here). This carries on with the theme of the black cube being a form of imprisonment. Interestingly, the Greco-Roman goddess Cybele was a hermaphrodite and her name is etymologically connected to the word “cube”. This may give a clue as to Baphomet’s identity. Both Cybele and Baphomet are hermaphrodite and both are connected to the cube. Cybele is assumed by some to be the same as the goddess Isis.
According to the book ‘The Cult of the Black Cube’, by Arthur Moros, the black Saturn cube represents a “prison dimension”. Carrying on with this theme of the cube being a form of imprisonment, in the Bank of America, there exists a mural showing a woman seemingly imprisoned in a cube, while tethered to what appears to be the Black Sun. Quote from the Vigilant Citizen: “A strange feature of the painting is that the woman is apparently trapped inside a transparent cube, hanging from threads. Does she represent the common man, stuck in the confines of the material world (occultly represented by the cube)”.
The idea that the cube represents a prison which in turn represents physcial reality is similar to the idea in Gnosticism, where physcial reality is assumed to be a prison and an illusion or false virutal reality, created by a malavolent being known as the Demiurge. The idea that ordinary, unenlightened humanity, are trapped or imprisoned in a false virtual reality is a very old one, of course, that even predates the Gnostics, and some say that it goes right back to the Fall when Adam and Eve found themselves cast out of Eden for eating from the fruit of the Tree of the Knowledge of Good and Evil. In this interpretation, the Fall of Humanity was a fall into illusion, and a corresponding closing down of consciousness of true reality — an imprisonment in virtual reality, in other words.
Another movie that might reference the Saturn cube is 2001: Space Odyssey. In this movie, the enigmatic Monolith was probably a representation of the Saturn cube. The Monolith was originally designed as a black cube and was located near Saturn (originally). Some have interpreted the end of 2001 as David Bowman (the protagonist) escaping a virtual reality (represented by the Monolith or cube) and ascending into a higher dimension. Bowman escaping the cube (or four walls of his hotel-room) is similar to the story of Buddha escaping the “four walls” of his palace. One interesting Buddhism poem goes as follows: “Wine, lust, wealth, and anger are the four walls; many confused people are trapped inside. If one could leap outside these walls, one will enjoy eternal life and never grow old”. One could interpret the four walls as the four walls of the cube we are trapped within. Bowman perhaps went beyond the “four walls” of the cube and achieved immortality.
Paul Oakenfold’s music video ‘Southern Sun’, also features a black cube in similar context to the movies referenced above. In this music video, a young model is being photographed and sexualized and during the photo-shoot she has a spiritual awakening. She is then shown leaving Earth, as she sits inside a black cube, and appears to enter a sort of stargate as visuals rush past her. The lyrics of the song I think are relevant, in the context of the cube, as she repeatedly sings “set me free”. At the end of the video, an orb comes out of the cube, in which she was sitting inside, which I interpret as her soul being liberated and set free. The name of the song ‘Southern Sun’ could possibly even be a reference to Sirius which is a bright southern star.
Essentially, the Saturn cube is what we (and our manufactured reality) could reside within and this is how it’s often portrayed. Michael Jolta explains the Saturn cube as “a reference to the synthetic reality that has been imposed on creatures of the physical plane of existence”, saying that: “It’s very much the ‘matrix’ that is used to bind spirit and consciousness” and author Alex Rivera explains the Saturn cube as something that we could possibly reside within, saying that it “weirdly affirms the infamous Flat Earth model”. Saying that we could be in cube doesn’t make sense when you consider the mainstream cosmological view of the universe, and you probably have to pause to realize how bonkers this all sounds. But since 2015, there has been a growing number of people that have converted over to the Flat Earth geocentric model, and surprisingly, their arguments make sense, if you take the time to digest them and fully comprehend them into your understanding. We literally could be in a cube, as the ancient cosmologies tell us.
2001: SPACE ODYSSEY
Space Odyssey was a remarkable technical achievement with cinematography that still stands out today as being quite amazing. It was a collaboration between Clarke and Kubrick with Clarke writing the novel and Kubrick directing the movie. Both were in development simultaneously with the release of the movie preceding the novel. The idea for Space Odyssey originally came from Kubrick who approached Clarke. I suspect Kubrick and Clarke had somewhat different visions and consider the book separate. Space Odyssey is somewhat ambiguous and will lead you on a phantasmagorical trip around the universe and up the garden path until your mind is utterly lost in bewilderment. The key to better understanding Space Odyssey undoubtedly lies with the Monolith; a rectangular black slab that propels the movie forwards and creates a ‘visual hierarchy between it and humans’. There are various interpretations of the Monolith, and in my opinion, I think it represents more than one thing. However, what is definite, to my mind, is that the Monolith was representing the Cosmic Mountain to the Saturn Ship. The Cosmic Mountain (a.k.a. Pillar of Light, Cosmic Tree, Mount Olympus, and Mount Zion) is equivalent to the Tower of Babel (Gateway of God) and Door of Daath. We know that the Monolith was probably representing the Cosmic Mountain because of the celestial configuration (as below) Kubrick used. Below the image on the left represents the configuration of Saturn, Venus, and the Cosmic Mountain when the stars were assumed to have been aligned differently (from ‘Discourses on an Alien Sky’). This symbol is seen throughout ancient civilizations (see the work by Talbott) and could be associated with sky-gods like Quetzalcoatl.
The image here is a Mesopotamian cylinder seal and appears to depict the Cosmic Mountain to the Saturn Ship, with the Taurus cluster on the left (where Aldebaran resides) and the crescent. The Egyptian image on the right shows the same thing (see David Talbott’s ‘The Saturn Myth’ for more images). The Monolith appears to be positioned in place of the Cosmic Mountain. Now, I do consider the book and movie separate and some have suggested that Clarke could have been second-guessing Kubrick after the movie had been made, but I think Clarke’s explanation of the Monolith would apply and make sense within the context of the movie:
❝The book explains the Monolith… as a gateway or portal❞
This is what I think the 8-spoked wheel of the Saturn Sun essentially was — an inter-dimensional gateway. The equivalent to the Tower of Babel (Gateway of God) or Door of Daath. This would make sense in the context of the advancement of early-humans as they came into contact with the Monolith. The second time we see the Monolith (TMA-1) it’s preceded by the image shown below, which appears to resemble the 8-spoked Saturn Sun (with the characteristic circumpunct). But rather than advancing humans, it generates an ear-piercing sound, incapacitating the original crew.
Remember what William Henry said about the 8-pointed star above? Once again:
❝Wherever archaeologists discovered remains of the early Sumerian civilizations the symbol of the “Gate of the Gods” was prominently displayed. The Sumerians depicted this gate as an 8-pointed star❞
We are then introduced to HAL, Bowman and Frank.
According to some, such as James Jordan, Space Odyssey has Gnostic overtones. Interestingly:
❝Gnostics had a term for our capacity to model reality: HAL. This Coptic word means simulation. The Gnostic concept of HAL is close to what we today understand as virtual reality❞
Quote from Gnostic researcher John Lash:
❝Using the Coptic word HAL: Simulation, Gnostic cosmological text explains that the heaven of the Demiurge is a virtual cosmos, a virtual reality world❞
Some have suggested that HAL may be a representation of the Gnostic Demiurge. HAL acts similar to the Demiurge, imprisoning the crew within an artificial environment, while impeding transcendence. The ship also looks like a ball-and-chain (possibly symbolizing their enslavement to HAL) and as blogger Rob Ager points out: “Frank runs in circles like a mouse trapped in a technological wheel”.
The Monolith was originally designed as a cube:
❝Among the new Smithsonian holdings are an early draft of the novel 2001: Space Odyssey. The two of them, director (Kubrick) and the novelist (Clarke) are conspiring to make what Kubrick states in a letter to Clarke as a “really good science fiction movie” because they both know that there’s no such thing — not yet. As they worked together, correspondence reveals a preoccupation with the Cube (which was later transmuted into the Monolith)❞
❝Saturn was originally the destination of the Discovery mission — but it was changed to Jupiter when the special effects team were unable to develop a convincing rendition of Saturn’s rings❞
Given the fact that the Monolith was originally a cube I don’t think it’s unreasonable to suggest an association with the Monolith (near Saturn) and the Saturn cube. When Bowman overcame HAL and entered into the Monolith doorways, I think he left this dimension (the ‘cube of time and space’) via the Saturn Sun or Ship. He was then able to observe the Monolith or the cube from outside, hence his saying: “It’s full of stars”. Not coincidentally, HAL has the same proportions as the Monolith. HAL is essentially a red-eye framed by a Monolith. One could make a suggestion that Bowman was trapped inside HAL — with HAL being a representation of the Monolith and the Monolith being a representation of the cube. As someone else says: “The case could be made that the “scientific definition of God” as suggested by Kubrick is present as HAL”: The Gnostic Demiurge, that according to some interpretations of the Nag-Hammadi text has trapped humans in a synthetic reality, analogous to the Grand Architect from The Matrix or CLU from Tron: Legacy.
In the image above, in the reflection, Dave spins around inside the HAL-shaped Monolith, suggesting he is possibly trapped within HAL. HAL is a Coptic word for simulation — akin to virtual reality. Thus Dave may be trapped within the simulation.
After their amicable game of chess, HAL erroneously predicts a fault in AE-35 and learns that Frank and Bowman are planning to disconnect him. So HAL’s response is to blow Frank out an airlock and trap Bowman outside the ship as he murders the crew. The general view is that HAL was programmed to lie to Bowman and Frank and this engendered a malfunctioning in his behaviour. This explanation has never sat comfortably with me, especially given HAL’s distress (and human like psychological breakdown) as Bowman was disconnecting him, which to me suggests that HAL had strong self preservation instincts — and trapping Bowman outside the ship was at least somewhat motivated by his fear of disconnection. Parallels could even be drawn to android David in the Alien Covenant movie who develops a God-complex and sees himself superior to humans. When HAL tricks Frank into thinking he’s been checkmated, HAL is acknowledging his superiority over humans while at the same time almost testing their fallibility. Once HAL has completed his psychological report and better understands human behaviour he is then in a position where he can effectively manipulate Bowman and Frank and take control. HAL was aware of Bowman’s sentimentality (after seeing his sketches of the crew) and so may have expected Bowman to go out and retrieve Frank’s body, leaving the ship under his control. Therefore, HAL’s seemingly innocuous ‘psychological report’ could have really been about probing for weak points that he could exploit to take control of the ship.
When Bowman entered the Monolith its alignment corresponded to the position of Daath in the Kabbalah Tree. ‘Daath’ is the “doorway of God [or the Demiurge] and we know that this is true because the first letter of Daath is Daleth [ד] which symbolizes a door. Daleth is the 4th letter of the Hebrew alphabet and carries the value of the number four — it is also the symbol of the doorway. It is through the “Tree of Knowledge” that Adam and Eve were expelled from Eden. They went through the Door of Daath”. When Bowman entered the TMA-2 Monolith (that was originally next to Saturn) he was propelled through the stargate and passes by a kaleidoscope of technical images that have no coherent or logical relationships.
My thoughts are that Kubrick was also portraying a time loop. The concept of looped-time and Eternal Recurrence was central to the writings of Nietzsche and I think this was hinted in the movie at in various ways, such as, with the same music playing at the start and end, with Frank jogging around a stark centrifuge, punching the air as he travels in a loop, and Monolith-shaped toilet instructions.
❝2001: Space Odyssey still fuels passionate debate today among fans — its famous imagery and elusive conclusion remain iconic. Kubrick and Clarke stubbornly avoid providing anything close to an answer to what the ending actually means (oh, to be a fly on the wall as they hashed this one out together). Personally, I think it represents evolution by time loop❞
Possible parallels could be drawn with Isis, Osiris, Horus and Set (or Eve, Adam, Abel and Cain) with HAL playing the role of Set, essentially tricking Frank into entering the pod (or the “box” in Egyptian mythology). I think of the Eva pod as representing Isis, Frank as Osiris, Bowman as Horus, and HAL as representing Set. The Eva pod as Isis retrieves Osiris’ (Frank’s) body and births Horus (Bowman) who overcomes Set (HAL).
Essentially, my overall interpretation of Space Odyssey, is that of Bowman releasing himself from the VR-prison (represented by HAL and Monolith, which was a representation of the cube) by way of the Saturn Sun or Ship. Like Neo in The Matrix, Bowman only transcends the illusory reality after he has deactivated and disconnected himself from HAL — the simulation. The synthetic food that Bowman consumes before experiencing real food after he transcends HAL I think is also symbolic of the synthetic reality he inhabited.
Other observations include the Monolith also representing a TV-screen, suggested by Gerard Loughlin. As someone else notes: “This works well within the Gnostic framework, because one could view the Monolith as a revelation of the material-world as an illusion, or theatre, put on by the Demiurge”. This also works within the holographic principle that suggests our reality could be a 2-dimensional representation of everything contained within, storing a 3-dimensional image in 2-dimensions. The idea is sometimes analogized to that of a TV, where characters within the TV would not realize that their seemingly 3-dimensional world exists merely on a flat 2-dimensional plane. Think the 2001-inspired Interstellar, where Cooper escapes the 4-dimensional cube and sees those on Earth within Monolith-TVs.
❝The Monolith is a metaphor for the screen itself and breaks the fourth-wall in that the Monolith isn’t just communicating with the characters on the screen, but is also communicating with the audience outside❞
The meticulous symbolism and images within Space Odyssey conveys another dimension of meaning that transcends space exploration to become a commentary on ascending out from an illusory reality and then rebooting (or resetting) reality. However, Kubrick specifies nothing, and everything is communicated through subtle symbols and mysterious enigmas. Kubrick is conveying a radical message of evolution indeed and my belief is that this evolution is associated with the Saturn Ship. The first Monolith that advances early-humans may represent the resurrection of humanity due to those who have accessed the Saturn Ship. Think Arrival or Predestination where those in the future essentially give birth to themselves in the past. When Bowman is reborn, my view is that he’s not only overcoming an evolutionary-restrictive loop and evolving into Neitzsche’s Übermensch, but is also resurrecting humanity. One could think of it as a sort of information time loop, whereby Cain is continually resurrected.
THE NEW YORK PILLAR OF LIGHT
For anyone who thinks that the idea of Bowman ascending through the Saturn Sun or Ship is silly, take a look here. It shows the Twin Towers (before they were demolished) and when viewed at specific times you could see a pillar of light (represented by the reflection on the water) rising between two pillars. This is how the Cosmic Mountain to the Saturn Sun is depicted. The Pillar of Light (Cosmic Mountain) rises between two pillars which are represented by the Saturn-crescent. Between the towers a building called the Millennium Hilton Hotel was constructed and this building was designed after the Monolith in Space Odyssey. Just as Bowman enters the Monolith between two pillars, the image of the light rising between the towers is a visual representation of the same thing: Ascension through Saturn. This is probably why the Monolith stargate in Space Odyssey is located near Saturn (originally). The Monolith represents a worm-hole out of Malkuth. It is equivalent to the Tower of Babel or Bifröst Bridge.
On December 4, 2020, Ancient Aliens aired an episode called ‘The Galactic Keyhole’. The tagline of the show was as follows: “The mysterious symbol of the keyhole exists in mystic texts, sacred architecture and ancient artwork found all over the Earth. Could this cryptic shape represent a profound connection to the cosmos?” One shape they showed in the episode was that of a pyramid (triangle) with a circle on top of it. They explained that the circle represented heaven and the pyramid (triangle) represented Earth, and the two together represented heaven and Earth being connected as one. They said that a keyhole was symbolic of a gateway into unseen worlds.
Click here for a Freemason Tracing Board, appearing to depict the keyhole symbol as a doorway to another dimension. The Saturn-crescent was morphed into the pillars. The keyhole symbol represents more than just a keyhole. It’s an ancient symbol present throughout civilizations and likely represents a celestial configuration which is a portal or worm-hole.
THE DARK CRYSTAL
As explained at the very start of this article, the celestial alignment of Saturn, Venus and Mars was mostly characterized by an 8-spoked wheel (or 8-pointed star), but at different phases during this celestial alignment — the 8-spoked wheel was not present and instead the configuration of Saturn, Venus and Mars formed a triangle, as seen in the image below, taken from David Talbott’s documentary series ‘Discourses on an Alien Sky’.
Quote from the Electric Universe:
❝According to the Saturn Polar Configuration Theory, our ancestors lived in a very different world with the heavens in a very different configuration. The planets were not far away, but overhead, in conjunction. These planets were Saturn, Venus and Mars. Saturn was the primary orb❞
In the movie Dark Crystal, there’s character called Aughra. She is both an oracle and astronomer and has an observatory made from complex machinery that follows and predicts the movements of heavenly bodies. She tells the protagonist of the movie, Jen, that a “great conjunction will be coming” and she specifically mentions that this conjunction involves three stars. When Jen questions her as to what the “great conjunction” is she cryptically puts a triangle over her eye.
The celestial conjunction that Talbott describes involves three bodies (Saturn, Venus and Mars) known by the ancients as “wandering stars” and at one point during their configuration they formed a triangle of light, as seen above. What are the chances that in the Dark Crystal the character Aughra would also mention a celestial conjunction of three stars as she cryptically puts a triangle over her eye?
Aughra tells Jen that this celestial conjunction marks “the end of the world”. Towards the end of the movie we see the celestial conjunction that Aughra was talking about and it looks very similar to the celestial conjunction of Saturn, Venus and Mars, as seen in the documentary episode ‘Discourses on an Alien Sky#10’ as shown here.
In the Tomb Raider (2001) movie the plot centres around a planetary conjuction linked to an artifact called the Triangle of Light, associated with the control of time (notice in the illustration above from Talbott the triangle of light during the celestial alignment of Saturn, Venus and Mars).
The planetary alignment that David Talbott refers to that occurred in ancient times included three planets; Saturn, Venus and Mars. These planets partially eclipsed each other and they can be associated with a black-hole or worm-hole as explained in the “Saturn Stargate” section above. Interestingly, in the Fifth Element movie, a character talks about an alignment of three planets, saying: “When the three planets eclipse, the black-hole, like a door, is opened. Evil comes, sowing terror and chaos”.
My interpretation of Ridley Scott’s Prometheus is somewhat similar to Space Odyssey in that at it’s heart, I think it’s essentially about accessing the Saturn Ship. The place that the crew members are travelling to in Prometheus is called LV-223 (which is world orbiting a Saturn-like body).
As they’re travelling to LV-223, we some interesting symbolism. Charlie pulls out a cube, and as he holds it, he says: “Let me show you why you’re here”. The cube produces a holographic projection of star-maps that contain the winged-disc, and as Charlie and Elizabeth explain the mission to the crew, we see the Orion constellation behind them both. The leaked draft-script of Prometheus references CERN and antimatter in relation to how the Prometheus vessel is able to exceed the speed of light.
When David accesses the Juggernaut ship, I think he’s accessing the Saturn Ship. The design of the ship is similar to the Ouroboros, click here, and as he activates an 8-spoked wheel he sees a holographic projection of the universe (though not stated, the ship is presumably able to time-travel).
The star-ship from Passengers is transporting people in hibernation pods to Homestead II, which is sort of like Antichthon. The image below is part of the star-ship and somewhat similar to CERN in appearance. The CERN-like image appears just before they overcome the rouge A.I.
In the hit TV series Mr Robot, we see an exact replica of the LHC at CERN (as shown in the image below). When the VLHC is shown at the start of Season 3, we overhear scientists talking about parallel worlds and other dimensions. The machine was created by the character White Rose and possibly has the ability to manipulate time and access extra dimensions.
SPIDER-MAN INTO THE SPIDER-VERSE
The design of the particle collider in the movie Spider-Man: Into the Spider-Verse was inspired by the real-life CMS experiment at the CERN Large Hadron Collider. In the movie, the particle collider opens portals to other dimensions.
THE DOUBLE X SYMBOLISM
The double X (or double cross) does seem to have been deliberately incorporated into media and it can be seen on the following Freemason Tracing Board here. The double X is underneath the “Stairway to Heaven” and so it seems logical to assume the double X is associated with ascension. The Saturn Seal can also be made into a double X. Below are a few examples from movies in which I have noticed the double X, and they can often be connected to the Saturn Ship. The Freemasonic Square and Compass also makes a double X (see image here).
See the full article here.
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